Here where I live, there is a small group of painters who meet monthly for class with our instructor. This is the Chinese Brush Painting and Calligraphy Association of Thousand Oaks. Our instructor, Mr. Ha, is from China. He has trained in traditional Chinese and Western art traditions. Copying the works of other artists is a tradtional learning tool in both art traditions, but perhaps more so in the East. This means to learn by imitating and reproducing the work of others. Control of brush and stroke, elements of composition, and ways in which effects are produced are studied, analyzed, and executed. In Saturday’s class, we will watch Mr. Ha as he reproduces this painting, take notes, and learn from observation. At home, we do our work.
This is a tough process. Paper and ink and color are far more challenging than may be anticipated. As I have written in other posts, brushes from Asia are not the same as Western, and the paper certainly is not. The paper we use in class is usually fairly soft and unsized, and this absorbency gives brushwork its immediacy and spontaneous quality, but in just a second, a beautiful work can be destroyed by too much water in the brush. Watch out, grab your towel and blot!
This month’s painting is peonies. They symbolize riches and honor, good fortune, and prosperity.
Ink, Yarn & Beer 