Walking from Pacific Grove to Monterey, we encountered a plein air painter; this was the subject matter. Definitely worth a shot.
Lomo Metropolis, Nikon FM2n, Series E 100mm f2.8.
Toity poiple boids all poiched in a twee, toity poiple boids all choiping at me!
These guys were all lined up on the rocks, not trees, below the bike path in Pacific Grove. No idea what they are but they created lines and patterns, rather camouflaged, which took a bit to discern initially.
Lomo Metropolis, Nikon FM2n, 100mm Series E.
Anytime you are in Monterey, CA, you need to get to the aquarium. Going in and looking at the exhibits and sea life is the whole point, but the coronavirus has ended that pleasure. Instead, we got to see it from the outside, like little kids looking in a window, but the windows and doors are shuttered.
More Metropolis, FM2n, and 100mm.
The Monterey Peninsula is a wonderful place to visit. The ocean, landscape, towns, history all work a kind of magic. I would like to spend more time up here in various areas. We went to Monterey and stayed on the border between it and Pacific Grove. Walking was the mode of transportation for the most part, and we probably put in about 10 miles in 2 days. Here is a view as we walked back from Lover’s Point in PG to Monterey.
I took my trusty, rusty, beat up and brassed Nikon FM2n and a few lenses. One day I had the 50mm f1.4 AIS on the lens; this day I had the Series E 100mm f2.8. I also used Lomography Metropolis film, and I will say I really liked it. It’s sort of grungy looking, but not grunged up (if that makes sense) artificially. It is not a sharp film, either. Rated at 100-400 iso, I set the FM2n to 200 and metered accordingly. This is a crop from a larger, rather boring image.
We spentĀ three days in Monterey, California, doing basically nothing but eating and walking miles along the boardwalk in Pacific Grove and the bike path in Monterey. We walked and then ate, and then sometimes walked some more. When we weren’t walking or eating, the activities included simply being blobs, like reading books or knitting or watching “Good Omens”. It was a really hellish vacation.
While walking in Pacific Grove, we admired trees and people and rocks and birds. Then I espied this gentleman, out in the full sun, painting a view behind me. I stopped and looked, and decided to chat him up a bit – it is very seldom I see someone painting directly from the real world. Where I live, you are likely to faint from dehydration these days.
Anyway, he was so friendly and nice! (And he let me take his picture, too.) His name is Ethan Walsh, and he has a lovely website, Ethan Walsh Paintings which I decided to visit. His paintings appear deceptively simple – they look so easy to have done, but you can see the skill and work behind them. His portraits are really amazing, especially in his ability to capture expression. I wish I could do as well. Add to that, he paints the Monterey area, and he catches the light and geography beautifully. Look him up!
This is the view Ethan was painting – Monterey pines on a rocky outcropping into the waters of the Monterey Bay. Here he is painting in oils and was using a fine brush to catch the details. This painting is very different than the ones I saw on his website, and to me this attests to an ability to move in many dimensions when wielding pigment.
Ethan – if you read this, thanks for spending a few minutes with me in the middle of your painting. I really enjoyed it!
And for those of you who are curious, these images were taken using a Nikon FM2n, 100mm Series E f2.8 lens and Lomography Metropolis film.