Coastal Hills in Late Summer

Since I had all the pastels out from Tuesday’s class, before I straightened up the mess in the studio, I decided on another study. This time, the oak-covered hills of California. In spring, the hills are brilliantly green, often covered with wildflowers, such as poppies and lupines. As spring gives way to summer, the heat comes, and the grasses dry out. Perfect conditions for all these dreadful wildfires of late . . . Anyway, the coast can be socked in with the summer fog, but inland, the hills are under the brilliant sun. As you look toward the Pacific, you can see the “fog monster” lurking on the other side of the range.

Misty Morning

Summer, fog, early morning rising mist. One color blends into another, overlapping, blurring together. How to express this?

Gouache does not readily lend itself to the color movement as does watercolor. In watercolor, you can discharge one color into another, and the wicking action of water and paper do the work for you. Here, I thought a lot about how to blend and merge colors to create that soft effect of fog. In the end, for this painting, I decided to use a narrow, flat brush with stiff bristles and scumble all the colors together.

Rather a brighter painting than I anticipated, but I think it does express the rising fog and early morning sky fairly well.

7×10 Arches hot press paper.