I tried to catch the window on the gallery where I stood one night in Salt Lake City. Â The automatic exposure of the XA4 was a long one . . . when I first glimpsed this, I wondered what fire I had photographed.
Tag: Film
A Portrait in UltraMax 400
This is the other half, taken with UltraMax 400 and the Nikon F3HP and scanned on the Pakon 135. A bit of retouch in LR, but overall, there is little difference. The skin tones were important, because he has a rather ruddy complexion (not as bad as mine), and sometimes toning it down removes a lot of other qualities in an image. Above is the “retouched” and below is the untouched.
Photography Decisions for Vacation

Yesterday, I packed up the rest of the choices I’d made for the photographic gear I want to take on our trip. Â It was a really hard, but choices had to be made.
My first decision was the bag size. Â I have back packs and over-the-shoulder bags of varying sizes, along with a sling bag. Â I decided on an over-the-shoulder bag, which is roomy, but not large, and is now carrying the following:
- Nikon V3
- 1 Nikon 70-300mm
- 1 Nikon 10-110mm
- 1 Nikon 6.7-13mm
- 1 Nikon 10mm
- 1 Nikon 18.5mm
- 1 Nikon 32mm
- Olympus OM-1n
- Olympus Zuiko 50mm
- Olympus Zuiko 35-70mm Close Focus
- 49mm yellow, orange, and UV filters
- 55mm ND filters
The OM system and the Nikon 1 system were chosen because they are small and lightweight, but deliver good quality.
I am also bringing 12 rolls of 35mm film, in black and white, and in color, ranging in speed. Â It’s still a toss-up between the XA4 and the Trip 35, but I am inclined to take the XA4 as it is more diverse, smaller, and has a covered lens. Â No medium format camera made it to the final mix. Â I may bring a tripod. Â I am also packing some art supplies and my Kindle. Â Some knitting, too. Â Headphones. Â Chrome Book. Â Plugs and cords and a power strip. Â Yeah, stuff. Â Clothes, shoes, and a toothbrush!
UltraMax 400 in the Weeds
Initially, I was not especially thrilled with this film, and I hate to say it is most likely because of the packaging is yellow and blue, not colors I like together too much. Agfa Vista 200 has a decidedly more appealing more cheery packaging for me – love the red!
However, now that I have been using it a lot, I am actually rather pleased with it. I can push it in post, I can leave it be, I can mess up the exposures. It’s not too expensive. Neither the UltraMax nor the Vista have the colors of Ektar 100, but when you are using a new-to-you camera, a good length of inexpensive, reliable film for test purposes is necessary.
I admit, I love bright, impressionistic colors and strong contrast. Subtlety is not a strong suit in my preference range, but here, the delicacy of tonality and shading and contrast works to catch that magical time of day when the color fades away . . .






