colored pencils – Ink, Yarn & Beer

More New Tricks

Now that social isolation is lessening and classes can resume in person, albeit with masks and social distancing, I have taken on colored pencils and acrylic painting. To say I have been having a blast is an understatement. Of the two, the painting class is more “me” but the colored pencil class is an adventure into unknown territory.

Colored pencil drawing seems like a logical next step to graphite (pencil) drawing, and in a way it is, and in a way it isn’t. With graphite, shades of grey is what makes the picture. With colored pencil, pencils become almost more important because color, pencil type, and techniques used to create effects in the painting / drawing are considerably more complicated than graphite! So, here are some more colored pencil drawings I have done.

Moving on from colored pencil, my acrylic painting class began last week. I chose “intermediate” as “previous painting experience” was the only requirement. Since I paint with watercolor and gouache with some success, it was a logical choice. And what a wonderful group! Many people have been taking the same class for 4 years – quite a tribute to the teacher. The class is not structured, so subject matter is up to the individual. This doesn’t mean a lack of instruction, but what it provides is direction from the student and help in the process. It works for me.

Years ago, like 40 or so, was the last time I worked with acrylics. I didn’t like them at all. However, today my attitude is a lot different. I have time, motivation, and the opportunity to learn from many resources – teachers online and in person. My sister also paints with acrylics and she has been very helpful with all sorts of information and such.

This was my first acrylic painting. I brought it to class with the underpainting done. I used a Daler-Rowney Acryla 3 set with about 10 colors. My approach was quite trepidatious! I pretended I was painting with gouache, which helped, but my fear was destroying brushes and having paint dry in seconds. Neither catastrophe occurred. I used Canson XL paper as the support, taped to a bit of gator board.

The next one, above, is a rendering of a photo I took while walking along the bluffs in Carpinteria, north of me along the coast. I did this on Fredrix, a canvas pad which is primed. I gessoed it, and like the paper, taped it to gator board. Here I used matte medium only, and the result was a really pleasurable application of paint – it was fun to feel the paint get all squished around with the brush. The canvas surface, too, was a pleasure to work on. Once off the gator board, the Fredrix is really like a canvas off the stretcher bars.

For this image, and the one below, I followed a couple of videos by Will Kemp on YouTube. The one above I only used water to thin the paints; the one below was only matte medium. The supports were canvas panels, 8×10, pre-primed but re-primed by me.

Comments from those who have seen these apples like the apple in the lower painting best, but the background in the upper painting best. I agree.

This is my latest painting. It is from a video I watched by M. Stewart on YouTube. The video is an hour long, filled with information and funny comments. I think I learned the most with this video insofar that there was more time and more detailed instruction. The simplicity of Kemp’s videos of the apple helped me get ready for the complexity of the Stewart’s video – both are excellent teachers.

Tomorrow . . . I think I need a bit of a break from painting, but I do plan to continue working on art as much as possible every day. However, sewing does call, and so does the beauty of the outdoors, and . . . life is too full for only one thing!

The Purist Leaves Town

We all have prejudices for or against something. For me, my prejudice is what is labeled “mixed media” in artwork. It brings to mind things I don’t like, much less understand, to be “art” – and that is pretty narrow-minded, I admit. I think of “art” as being pictures of things I can relate to, things I love, and bring a visual beauty with them, even if a bit disturbing. For instance, I find Picasso’s “Guernica” to be quite disturbing – it’s not a pretty painting. The subject matter and colors are not “nice.” But, what is said and expressed in paint is the point.

Truthfully, I would rather look at a landscape versus a bloodscape any day. Google “landscape” and all sorts come up – sadly, in my opinion, many of them are really gaudy and unattractive. I prefer ones with more natural colors, ones which play with light, ones that catch a mood, such as fog or bright sun and a whipping breeze.

Fine Arts Museums of San Francisco, Public domain, via Wikimedia Commons

Above is a painting by Lucy Bacon, an American artist. I’ll put her paintings up on my wall any day.

So, back to the “purist” in me. Merriam-Webster defines a purist as “ a person who adheres strictly and often excessively to a tradition” – and that is me in the world of art. (It also applies to usage of language, but I am all for its development and change – but that is another story!) For me, this means if you use watercolor, you only use watercolor. Oil paints? Only oil paints. A painting is a painting, and not a mish-mash of collage, ink, paint, etc. Pretty limiting view, eh?

So, enter a book I bought back when it first came out, back when I had no time, no studio, little experience, and the aforementioned attitude. The book is Creative Colored Pencil Workshop by Carlynne Hershberger and Kelli Money Huff. Back in 2007, it didn’t teach me what I wanted simply because I was not ready for it. Today is another story, and to be truthful, I am so glad I kept this book. It is opening my eyes to other ways of creating a drawing or a painting by demonstrating, though clear exercises, what can be done beyond a “pure” medium.

I started their exercise using watercolor and colored pencil. The study is a frog in a bit of shallow water. Step-by-step instructions. I did this exercise years ago, liked the result, but the purist in me was not happy with mixing the two together. Now, having started using colored pencil on a “serious” level, I appreciate the underpainting of the watercolor before the surface addition of detail in colored pencil.

I scanned the original line drawing from the book, enlarged it, and then used Saral transfer paper to draw it onto a piece of Arches CP 140# paper. Initially I thought of using HP 140#, but changed my mind. The third picture shows the green watercolor laid in on frog and water plants, as well as varying blue watercolors for the pond. From there, browns and reds were added to the frogs body. These were all the watercolors used, essentially providing an underpainting for the colored pencils.

After the watercolor was done, the blues of the watercolor were covered with blue pencils. The same for the water plants, but greens instead. The frog itself remains untouched by colored pencils – that is for later! The pencils I have used so far are Prismacolor Premiers that I chose to meet my own taste. The book suggests colors for pencil and for watercolor, but after having given up the desire to create an exact duplicate of a study, I felt free to choose my own!

Current status of frog painting in watercolor and colored pencil. More to come!

The final picture in today’s post is the last one. Obviously, more work needs to be done. I hope to finish this fine fellow soon, but over the next couple of days other activities call.

Meanwhile, the purist is leaving town. The perfectionist has already left.

Sliding into Home Plate . . .

It seems that these past two months have been about craziness. Or cascade effects – one thing leading to another.

I got my sewing cabinet by paying for it and leaving 3 weeks between purchase and delivery. To make it work I had to move a book case and a tansu; the book case to the garage, the tansu to the studio. To put the book case into the garage meant at least 5 trips to the Goodwill donation site, and moving around and discarding more crap than anyone else should be allowed to have. To put the tansu into the studio meant moving photography equipment into the garage and into the studio, taking up the space of a displaced book case.

To move stuff into the studio meant moving stuff out of the studio, consolidating art and photography supplies, moving books into the living room.

To make more room in the garage for book cases and photography stuff meant moving boxes of books from the garage into the living room. Boxes of books in the bedroom closet leapt out and moved into the living room as well. A call to the book buyer meant setting up a date for him to come by, and sorting out 25 boxes of keep and sell. Most were sell. Two book cases in the living room joined the sell pile, as did 3/4 of a book case in the family room.

The living room became the unliving room.

Meanwhile, the sewing cabinet was delivered and set up. Next, figuring out how to position it – facing the wall? facing the sliding doors? (The latter won out.)

Time for the book buyer. He arrived. He bought. I threw in what he didn’t want to buy. Now the living room is once more a room with room, and only one book case full of books.

In this mix, a quilting class is ongoing, my Pencil Portrait class ended, my painting continues, and a colored pencil drawing class begins tomorrow. I have to put together my drawing box with supplies for a new class, some different things, some new things, some old things. The class begins tomorrow at 9:30 a.m., and like the good kiddie I am, I want to be ready for the first day of school.

The finale came this morning. I took to the road, to a real, live, professional office store 30 miles away and got the last item: the chair for the sewing cabinet. Not some rinky-dink piece of junk, but a real chair that should last a long time, and keep me comfy for hours of sewing. Mine is the one in the middle.

Finally, time for a breath, coffee, step out to admire the flowers, and then tidy up all that was left in chaos these past few days.

I have room on my book shelves, closet space, living room space, sewing space, art space, and enough room in the garage to swing a cat under the full moon.

More still needs be done, such as hanging pictures and more garage purging, but the big struggle is done. Time now to settle in and see how it all works out.

Yay!

Me and My Coloring Book

I picked this up at the store the other day. There are a lot of books out there, and apparently groups and so on, for coloring book colorers. Fiddling with your hands is a great stress reducer, but at the same time, I know that while I color away, I am beginning to think about the juxtapositioning of colors – analogous, complementary, triads. Oh, boy!

I am also knitting socks. And now the iron is available. I even did some exercises this morning. I must be nuts. And, it feels good!!