Land’s End, SF

I love San Francisco, like so many people. And, like so many people, I am sad to see how challenging it has become as a city in a lot of ways – homelessness, cost of living, among other things. Still, it has a lot to offer, and Land’s End is one of them. Part of the Golden Gate National Recreational Area, it is a beautiful bit of nature on the edge of the Pacific Ocean.

There are paths within Land’s End, and this row of trees on a bluff is a signature landmark of the area itself. Golden Gate National Recreation Area is wonderful, and I have spent time here, and in the city and around the Bay Area often, more so when I was younger. I had friends who lived in the city itself and have great memories of all it has to offer.

This painting was a bit of a challenge. The tree trunks are bright and clear in the foreground and sharply contrast the foliage of the trees and undergrowth. In the distance, the shapes of the trees and their leaves merge into fascinating shapes. What I find so interesting about these trees – I believe they are Monterrey Cypress – is the trunks and branches seem to vanish within the leafy canopy. The hillside is variegated in vegetation, and while I caught some of the bright green and dark browns, the lights and darks were evident.

I tried to paint as directly as possible, putting paint down and then, while it was wet, varying colors within the shapes. The foliage was a good example of this, as was the hillside below the trees. The sky was painted first and brought down between the trunks near, leaving the trunks to be painted later. Bushes were also painted this way. Finally, trunks and foliage, near and far, and final touches such as a bit of titanium white gouache and a few dots and lines here and there.

Watercolor, unlimited palette, Arches 140# CP, 10×14.

Bay Area

The “Bay Area” is the area around San Francisco Bay, and includes picturesque places such as San Francisco itself, to across the bay north and east.  It’s a mixture of urban sprawl and older neighborhoods, rich and poor.  I’ve spent time there off and on, and it is always a pleasure.  It’s very different than SoCal, let me tell you!

Direct watercolor is being done here – and proportions are a bear!  It takes time and practice to be able to render things in the correct relationship to each other.  I never learned the “pencil comparison” method – the one where you see the artist hold up his pencil toward the subject matter and then draw on the paper, and then repeat the process.  Given how disproportionate many of my direct watercolors are, I think it will be something to master this summer in my spare time.