Retro with Flamingos

Like I said, I have gotten the sewing bug.  And a taste for a bit of nostalgia.

Yesterday, I went to a local Joann’s and came home with a couple of really fun prints to make up some shirts / blouses.  The fact is, today it is almost impossible to find any 100% cotton blouses or short-sleeved shirts for women.  Almost everything is either a knit, a slimy synthetic, or a cotton blended with 3-4% spandex.  The latter is really uncomfortable as far as I am concerned because that little bit of spandex takes away all the breathability of pure cotton.

Flamingo Material

This flamingo pattern caught my eye.  I am a sucker for wild Hawaiian prints, and really, the worse they are, the more fun.  Here in California, prints like this are totally okay, but probably not for NYC in the dead of winter.  There was only 1 yard and 19 inches left on the bolt, but I took it, and got a 50% discount as it was the end of the line.  From my earlier days, I used to make shirts with only 1.5 yards, so I figured I could do it.  And I did, but I have put on a few pounds since my youth, and really needed a bit more for an easy layout, and while I did get it, but the neck facing was scrimped a bit.

Flamingo Shirt Pattern

I rummaged through my patterns, and luckily, I found this one.  Short sleeves, sorta Peter Pan collar, and five easy pieces.

Featherweight 222K and Flamingo Friend

In keeping with nostalgia, I decided to dig out the Singer Featherweight, a 222K with the open arm, reverse stitch, and droppable feed dogs.  All straight stitch otherwise.  I also decided to sew this without the use of attachments, except for the buttonholer (which is later, and with trepidation), and use techniques required of a straight-stitch machine.

Bias Tape on Facing

In some ways, I think this was actually a good choice.  I always zigzag every piece before I sew it because I hate raw edges, but I could not do that with this project on this machine.  In reality, I think it may be okay because the material is not constricted by the zigzagging.  I did all my staystitching and edge stitching, and I clipped and layered the collar seams.  In other words – I took my time!

Still a Great Book!

I also refreshed my sewing skills by pulling out The Reader’s Digest Complete Book of Sewing, a present from my father back in the 60s or so.  Compared to more recent books on sewing, this is a real encyclopedia of information and technique; when I was younger, it was too tedious for my helter-skelter approach to sewing, but today, I really appreciated it.  I read about facings and collars and edge stitching and stay stitching.  I also read about using bias tape to finish edges, which I had thought about prior to the project, but learned that into a curve you do one thing, and out of a curve, you do another.

Pointing Collar Corner

One thing I didn’t learn in my sewing classes in school was that there is a technique to put a nice point on collar – take some thread on a needle, double knot, and once you have pulled most of the collar out, run the needle into the corner on the inside, and push it through the corner on the outside, tug, and cut.  A very nice point is the result!  Like I said, the Reader’s Digest book is full of good information!

Sleeves

The blouse is far from finished, but I am fairly satisfied with my progress.  It was interesting to use a straight stitch machine that is belt driven.  A couple of times, the machine didn’t like the thickness of the blouse, but with some encouragement, we got through it.

What remains to be sewn are the sleeves, side seams, hem, and making the buttonholes.  I am not too sure how long that will take – it may not get looked at until next Friday, because some of my days are pretty long.  In the meantime, I will re-read about setting in sleeves and other good things.  Nothing like a sense of accomplishment – until I destroy it with badly done buttonholes.  Buttonholes are my nemesis, and I need to practice them all the time.

Cause & Effect

The quilt show is to blame for my current focus.  Looking at fabrics and looking at the wonderful handcrank machines got me to look at the machines I have strewn around the house.  There is a treadle machine in the family / kitchen area.  My mom’s old Viking (ca. 1965) – on which I learned to sew – is in the garage, along with a serger which terrifies me.  In the bedroom closet are a couple of handcrank machines, a Singer 222K, and a Janome 1000.

The treadle machine and the handcrank machines came to mind quite quickly – they really are fun to use, peaceful and soothing, and not needing to be plugged in.  The treadle was the first one to be pulled out.  Because of the help I got with the bobbin at the quilt show, it was really easy to set it up and get to sewing.

My treadle is called “The Free,” and it is in remarkably good shape.  I bought it on eBay several years ago; in fact, that is where I bought both my handcrank machines.

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The treadle machine was rather dusty from a lack of use. I cleaned it up, dusted and oiled everything, popped in a bobbin, and threaded the machine. Off we went!

I have been using a stretchy spinning wheel band to drive it, but found that the band did not have enough width and / or torque to wind the bobbin, which is a long bobbin. I ordered a 3/16″ round band off eBay and installed it when it arrived.

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Considering how old it is, this machine is still in beautiful shape. I’ve made clothes on it before, and now the urge to sew is hitting strong. The question is, which machine to use? Each has its advantages . . . but I’ll save that for another time.

Canyon

Canyon

A composite taken from multiple views – looking straight down into a canyon, as well as panning from side to side.  The result is a rather distorted view, and does nothing to convey the sense of depth I wanted to capture.   At the lower margin of the picture is the bottom of the canyon with two trails on either side of the creek.  From there, up the walls of the canyon.