Morning Spiders

Sounds gross, if you don’t like spiders. I like spiders . . . but not in my house and not on me.

The Sun is Up!

That said, I went out this morning with a new-to-me Spotmatic film camera with a 55mm f1.8 Super Takumar lens, and my cell phone, just in case something happened. I will take the film in later this morning, and perhaps add some images once I get the film and scans back from the lab this afternoon.

Cactus - Fuji Astia 100F

I never use my phone for photography, just because I don’t think of it. If I have the desire to take pictures, I take a camera. My intent was to use up the rest of a roll of Lomography 100 with two goals in mind – see if the camera and lens function – and to see what the film itself is like, having never used it before.

Cholla in the Morning Sun

I walked down the trail, waiting for the sun to come over the horizon to begin backlighting the fields of cacti and trees. Canyon wrens called back and forth, ravens croaked, and things scuttled in the undergrowth. At times, I saw very early hikers out further on the switchbacks dropping into the canyon below.

Web Sweet Web

As the sun came up, I turned around, looking at the beginning of the classic starburst of the sun through the leaves, and checking the beginning of morning backlighting of thorns and leaves, as well as silhouettes of leaves and branches further away. It was then that I noticed all the beautifully perfect spider webs, glinting in the sun – a real neighborhood of garden spiders in classical webs, centered like Xs. It was stunning.

Sunrise Web

I may have gotten a few good shots on film – don’t know until I see. I did shoot with my cell phone, and while the images are not really good, per se, they did catch a memory of a beautiful morning.

Learning to Like Photography

For me, photography has always been an interesting dichotomy or dilemma, a sort of love-hate relationship.  I enjoy looking at photographs, but as someone who has always drawn or painted, to me, photography often seemed rather pointless other than “creating memories.”  It’s the exactitude of a photo that gets me – little in the area of artistic endeavor.  However, as I have been doing it now for about five years, I am slowly changing my mind.

OLYMPUS DIGITAL CAMERA

Let’s travel back in time.  As a kid, I had a camera, and took snaps.  I also have a handful of photos from times past, images of my family and parents and of a generation past.  There is something to be said for these pictures – a name has a face – a flavor of a time is caught.  No, these are not “art” as I think of it, but bits and pieces of the quilt which is my life and the lives of others.

2003

In my twenties, I bought a Canon A-1, thinking I’d be a hotshot photographer because I finally got a “good” camera.  Hah!  I have a number of snaps of deer butts – yes, indeed!  a fine collection!  The reason is simply because I had no education in photography or concept of construction of a photo – of waiting, of thinking, of taking the time to wait for a picture.  The cost of film processing was dreadful, and so I put away the camera until the digital age.

Cimg1481

The beauty of digital, as we all know, is the fact that film and processing costs go out the door.  A few classes helped me learn more about the camera, and soon I had a few purchases and thousands of pictures under my belt.  Truth to tell, I was – and still am – somewhat caught in a love-hate relationship with photography.

P1020742

Now I am returning to film, and finding there is something about having to wait to see my photos.  Digital has given me the opportunity to learn more about the elements of composition and how different lenses work.  There are some lenses that are my favorites, many of which are manual focus or prime digitals.  Some of my cameras I prefer more than others.  There are also software programs and plug-ins which can trigger the creative process.  Finally, it is a real pleasure to be able to scan my own analog images and play with them.  Perhaps at one point I will develop and print, but for now, that cost factor and failure factor, and the where-the-hell-will-I-put-these factor all create a “no” for now.

Mooooo (1 of 1)

I am learning to like photography more, and appreciate it as an art form.  Some of it is an appreciation for the historical.  Some of it is going out with friends and looking at what others do.  Reading about different ways to “see” helps as well – working with the rule of thirds, layering of fore-middle-back, action, direction – all these are helping me see the world around me as it happens, which is very different than creating a picture on paper wherein I am the god(dess) directing motion, movement, or whatever.

Under the Greenwood Trees

Somewhere I read one must dedicate 10,000 hours to an art to gain a modicum of mastery.  Maybe I am on my way.

Lunch Window (1 of 1)

Bilious Green Horrors

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A nightmare of green.

This is Rollei Crossbird Creative Edition film. It sounded interesting. In a green-ish landscape, it is a nightmare of greens. This looks like something designed to torture.

91260005 91260012 91260035 RCCE - Trees 1 (1 of 3)

As you can see, with too much green it only devolves into creepiness.

But, if you have reds in the image, suddenly it becomes interesting.

RCCE - On the Table (1 of 1)

RCCE - The Bar (1 of 1)

RCCE - In the Surfboard Museum (1 of 1)

I actually rather like these. These are straight out of C41 processing.

But the nightmares can be changed into something – better? different? more interesting? artistic?

RCCE - Trees 1 (3 of 3)

RCCE - The End of Summer (2 of 2)

RCCE - Door & Mirror (1 of 1)

Oaks & Pathway - Sunflower Fields - Topaz Restyle

Yes, I think so. I used my own presets in LR, Topaz Restyle, and a few other things.

Conclusion: This film is weird, but that is what it is supposed to be. I bought it because it was an experiment. It tweaks the mind. Also, a lot of the photos, I actually like, and wish I could turn them into something more normal.

I shot this with my Nikon FM2n and 50mm f1.4mm AIS lens.

A Day at the Movies, Sorta

The Windows

Above, what looks rather ominous (IMHO), are really windows from which cameras could shoot water scenes.  I think the African Queen, with Humphrey Bogart and Katherine Hepburn, was shot here….maybe from these windows as they floated along!

Corriganville Park was originally part of the California movie industry. According to Wikipedia:

Corriganville Movie Ranch was a working film studio and movie ranch for outdoor location shooting, as well as a Western-themed tourist attraction. The ranch, owned by actor and stuntman Ray “Crash” Corrigan, is located in the foothills of the Santa Susana Mountains in the Santa Susana Pass area of Simi Valley in eastern Ventura County, California. The site is a public park in the City of Simi Valley, called Corriganville Park, and operated by Rancho Simi Recreation and Park District.

It’s a really nice little park, now, with large eucalyptus trees, rocks, derelict relics from the days it was part of the movie industry, and a variety of beautiful views and plants and trees native to the region.

It is also enjoyed by the locals.  I went out with a small meetup group, leaving the house at 7:15 a.m. to get there by 8.  Given it was 93 F by the time I headed home at 10:15 a.m., it was a good thing to be there early.  As well, the light was gorgeous.  This, combined with companionable people, made for a nice way to begin the weekend and end my 10-week summer break.

Dirt Road

Dirt Road

Yesterday it rained. Tomorrow it will rain. Today, maybe it will rain.

Here, in the drought, a tropical summer thunderstorm is something that I have never seen in SoCal. It will be interesting to see how this affects the dryness all around. As well, having an air humidity above 0% makes for crankiness and stickiness – not something I am used to in the summertime anymore!