Suburbia

Suburbia

Sometimes tweaking a photo can make something look a bit better than it does or more interesting. Here I played with various post production software and rather like the balmy look I got. Given the chilly winds we are having today, I think it was a good choice. As well, this just might make a good painting.

Wine Country, Paso Robles

Wine Country, Paso Robes

This is from a summer or two ago. We drove along Hwy 49 in the central coastal area of California. It is a lovely drive – quite unpopulated in many ways. The hills and valleys spread out on either side of the road, with trees dotting the grassy slopes. Grapes are grown here, and the Paso Robles area is known for its wines. If you take some of the side roads off the highway, which is a nicely paved two-lane roadway, you can find yourself under the canopy of old oak trees, deep in the gloom of shade on a bright summer’s day.

Zeiss Ikon Ikonta, Tri-X 400 by Kodak. Scanned and processed with Epson V600, VueScan, and Negative Lab Pro.

The Truck at Manzanar

The Truck at Manzanar

The day we came to Manzanar on our trip, we wandered throughout. Various places, such as the barracks, were open, but the visitor’s center was closed. Nonetheless, there was a lot to be seen.

Manzanar is a barren place, lonely and remote even today, even though it is readily accessible off Hwy 395 along the Eastern Sierra in California. Imagine being sent here, pulled from your home and put into buildings without insulation, subject to wind and dust, heat and snow, without appropriate clothing. Your entire family is stuffed into a room and there is no privacy. The internment of the Japanese did this.

This picture shows – and perhaps exaggerates – the isolation of Manzanar. Today it is still lonely, but 80 years ago probably even more so.

Zeiss Ikon Ikonta 521/16, Kodak TriX 400, Epson V600 and Negative Lab Pro.