West of Hwy. 101, Monterey County

We stopped by the roadside to get some gas on our way home from Monterey a few weeks ago.  Rather than taking the main highway, the 101, we ran parallel to it, west, close to the mountains that lie next to the Pacific range.  I’m glad we did.  From the freeway, you can see the fields, the houses, the ranches, but being on a 2-lane bumpy road brings it up close.  The area is vast and flat, a valley between two ranges.  Here, all sorts of crops are grown, and it is really beautiful countryside.

This is from a photo I took with my phone, all with the intention of using it as painting material.  I think it worked out rather well.

Nightmares on the Patio!

We all have those days – everything you think you are going to accomplish turns to some sort of monster or horror or nightmare as you do it.  I sure had different ideas for what I was going to do out on my patio this afternoon.  Ugh!  Ugh! to the point I have to laugh.  I really don’t know what to do with either of these except to chalk them up to experience.

This first one (above) is supposed to be some really brilliant orange geraniums on my patio table.  I don’t think so.  I get so – what?  Impatient may not be the right word.  What I feel is a need to work quickly, and perhaps therein lies the problem.  I drew them in with a pencil and set up all my paints and water and other supplies on a table outdoors.  In 85F or more weather, it was  hot.  But the heat is not the driving force for haste – it happens to me all the time, particularly with watercolor.  It’s something to really think about.

After shuddering at that first painting, I decided to just paint – no lines, nothing, just move along.  Sometimes in watercolor it has proven to be a great exercise.  Here, not so sure.  These are tabasco chilis that are ripening, and will soon be picked and dried, to later be ground into chili powder (we make our own every year, with different peppers.)  Like the first painting, everything went head over heels, and in the end, I just decided to make it more decorative than painterly.

I can always tell when I haven’t picked up a pen or brush for even a couple of days.  I felt all clumsy and disconnected.  Maybe being outside – something I have never done with gouache – added to it.  I really tried to paint from real life, plein aire, and I am not so sure that was for the best.

Oh, well.  I had fun.  Maybe there is something in that.

 

 

Shore Path

We spent a few days up on the Monterey Peninsula last week.  I took lots of pictures, some with the camera, some with the phone.  Digital is wonderful for catching so much – but it also keeps you from seeing things at times if you use the scatter gun approach that digital photography allows.  I tried to frame my photos more thoughtfully than I sometimes do, taking time to consider composition and so on.  All of this was with reference to the idea I would like to use material from my trip as potential painting subjects.

Above is one such example.  Once more, my sense of depth is not the best.  I tried to employ some of the techniques I know – atmospheric depth, less detail in the distance – but I really didn’t do a great job.  In some ways, the painting sort of created itself.  The path in the photo was curvier – way curvier – but it decided to become straighter as I painted.  I just noticed that!

Anyway, I am planning to continue to paint every day.  I do have some great subject matter.  I plan to alternate watercolor and gouache, and become a bit more academic – find things I want to work on, and then study it, whether from a book or an online video.

I can say I have improved over time, but I am not where I would like to be.  The question always at the back of my mind is, what do I do when I get where I want to be?

Intersection Hwy. 68

Back from a short vacation jaunt up the coast.  We stopped for gas, and I took a picture of the sunflowers and buildings across the street as my husband filled the tank.  I don’t know what caught my eye about this – perhaps the bright sunflowers and the dusty box on the left, or perhaps the sky and buildings and trees in the distance.  Something about it was just intriguing.  Altogether, I found this little bit of countryside fascinating.

 

Old Pine at Whalers’ Cove

Every now and again a place calls you, and you know that your life is changed by what you have seen and heard and smelled – a total sensory experience that nothing will ever equal.  Returning to it may destroy the memory or add to it.  Here, I think returning to the Point Lobos State Natural Reserve will only add to the experience.

We headed out to have a short 3-night vacation up in Monterey, California.  We visited the Monterey Bay Aquarium, probably for our 4th time, as well as Point Lobos for the very first time.  It is unparalleled.  Tall pines, rugged coast, water, rocks and cliffs, pines and cypress, and history all combine to create a world into which it would be so easy to stay immersed in, never to return.  The area of Monterey is stunning, with many beautiful and historical areas to be explored, such as Carmel, the city of Monterey itself, Pacific Grove.  An abundance of parks and preserves are available to all.

I brought my art supplies with me, but couldn’t sit still.  I had to keep exploring, along trails with rocks and roots and staircases, and easy paths lined with views of trees and meadows and plants not found in my neck of SoCal.  In particular, the pines and cypress caught my attention, but so did the rocks and water and cliffs.  I expect there will be a lot to draw from as I took a lot of pictures, most taken with care to composition and color.

Here is an old pine tree standing against the sky.  It’s dying as it’s old, wooden branches attest, and yet it still bears needles and reaches to the sky.  I fall in love with trees such as this – if they could just tell their tales!  I used my home made iron gall ink with a very fine pen nib on Bee watercolor paper.