Thockies, i

Recently, I bought some lovely vegetable dyed Finn sheep yarn from Leena Riihelä in Finland; her company is Riihivilla.  She blogs and writes in both Finnish and English. Her service, communication, packaging, colors and yarns are fabulous! She also designs mittens and other items, and sells complete kits with enough yarn to complete the project.

I chose her purple colorway, dyed with cochineal and Japanese indigo, which consists of three skeins in three colors.  Two of the colors are solid, a rather deep wine rather than violet, and they are different in shade so that when knitted, there will be definite color contrasts.  The third skein is multicolor, and ranges in violets to the reds of the solid skeins.  Together, the three are very attractive and coordinate well.  My plan for them is to make socks, but I want something that will help set the colors up to be seen and appreciated.  Because these colors are so beautiful and the yarn is so nice, they definitely need something special to show them off!

My first inclination was to pull out some white sock yarn close to the Finn in weight, but the white was a very bright white, and rather harsh a contrast as far as I was concerned.  I thought maybe black, but that was too grim.  Other considerations were a warm cream color or a heathery grey, such as found in natural sheep wool colors.  As I’ve been spinning for years, I rummaged through my handspun stash, singles and plied, and came across a large ball of 2-ply in a light grey.

The ball I’d wound the yarn into was falling apart, so I decided to rewind it into new, tidy balls.  This is when I realized that the yarn as it was would not work.  For a while, I was into making very fine, very softly spun yarn, to ply together with the goal of cobweb or lace weight yarn, and this yarn is representative of that time period.  Rewinding it into new balls brought out the fact the yarn was weak – the spin too soft – and it would break apart – really, just slide apart – as I was rewinding it.

Given the time it takes to spin up yarn, I decided to recycle it by plying it into a 4-ply with a tighter twist, and a lot of knots.  I can always weave in ends where I untie the knots.  The result is a very twisty, fine 4-ply which is about the same width as the Finn.  As I write this, the final skein (185 yds) is soaking in warm water with hair rinse before it is hung to dry and set the new twist.

Meantime, as the grey yarn dries, I plan to design a sock which will show off each of the three colors in a stripey way, with a pattern of some variety in there using the grey yarn.

John Marshall: Works in Fabric, ii

My first contact with John Marshall came about when I discovered his book Make Your Own Japanese Clothes.

For anyone interested in traditional Japanese fabrics and clothing, this book is an incredible resource of information.  You learn how to construct Japanese clothing using traditional fabrics (which measure 13-14 inches wide), and how to sew them using traditional hand-sewing techniques.  Of course, you can also sew them by machine, but that just isn’t the same!

Garment construction is given for kimono, haori, hanten, various tops, vests, pants, obi, and tabi.  Not only do you learn how to make these, you also learn about the construction of sleeves, hems, collars, and the use of lining and padding.  All of these, combined with illustrations and photographs, give window to both traditional clothing, and a window into creating your own clothing with a modern cast.

I made the hanten, hand-stitched using traditional kasuri, and totally enjoyed the process.


Susie’s Hat

Over the Thanksgiving weekend I’ve managed to make two hats! One is Checkerboard without the pompom, and more in the shape of a beanie. The other one is Susie’s Hat, which I designed for my sister-in-law for a Christmas present.

Pretty productive, if I do say so myself. And still a few more on the needles!

Casting On in Knitting: A Survey of Varieties

Personally, I never seem to be able to master the long-tail method of casting on – the one that is wrapped around the thumb and index finger in a Y-shape. I have my own method that I’ve done forever, yet never have seen duplicated on YouTube. I wrap the yarn on my left thumb, and knit a stitch with the needle in my right hand – this is my version of the long-tail.  And it is very nice and stretchy.  However, the cast-on by Alasdair Post-Quinn made the Y-shaped long-tail cast-on sensible because of the two different colors being used. I may actually be able to do it now!

Given this, I know that I have found a lot of videos on YouTube for casting on before knitting. Being somewhat encyclopedic in my approach to things, I decided that this post would be a collection of the different ones on YouTube I found to be especially useful.

Traditional Long Tail Cast-On

Long Tail Tubular Cast-On for 1×1 and 2×2 Ribbing by Ysolda Teague

Stretchy Knitted Cast-On Using a Crochet Hook from the Scarlet Zebra

Estonian Cast-On for Knitting Socks with Nancy Bush

Channel Island Cast-On by Oftroy

Double Knitting Cast-On with Alasdair Post-Quinn

German Twisted Cast-On with Lucy Neatby


And these are just a few!  In particular, I highly recommend that you connect with Oftroy on YouTube.  She has oodles of videos about cast-ons and different ways to do it – braided, multi-colored, whatever – and her videos are very watchable.  She blogs here.  Lucy Neatby’s YouTube channel has some unusual videos, such as on knitting based on Navajo plying (used in spinning), and a very tidy bobble.  She is not a prolific video-maker, but her stuff is very clear and solid.

What would we do without the internet and YouTube??? There is sooooooo much to learn and share!