Life on Wonky River

Scanning my watercolors shows me the flaws so readily – ones I don’t see when painting!

When I looked at this scan, the creek in the foreground looks definitely off! I went in and repainted it, and the second scan showed more wonkiness. Finally, just a heavy application of blue on the river / creek (whatever!) and some zinc white gouache in straight lines, and the geographical problems were somewhat solved.

Overall, not really thrilled with this painting. I like my sky and the spindly trees in the distance. The barn and house were one of my rare attempts at buildings. The barn seems really out of place for the environment – too big or something. The little house is okay. I tried to show the banks of the creek and the terrain leading down to it using color swaths in directional lines, horizontally and vertically. Meh.

Fabriano 140# CP paper; watercolors; 9×12.

Estuary

Estuaries are important connections between rivers and fresh water to the sea. The land may be marshy, the water brackish, and adapt to the influx of waves and sea water and the outward movement of fresh water. Consequently, the estuary provides high levels of nutrients in both the water and the sediment, creating highly productive habitats. Plants, animals, birds, fish, and all sorts of life thrive in the estuaries.

Additionally, the estuaries form a protective barrier between land and sea, but with the loss of estuaries, the damage from the sea increases. A good example of this is in areas where hurricanes and other fierce storms sweep inland, causing great damage – estuaries can survive such storms and recover, but further inland where the land and water are not adapted for saltwater, valuable land may be lost.

Estuaries are found worldwide. In northern California, the Pescadero Marsh Natural Preserve is found near San Francisco, and offers a wonderful environment for hiking and observing birds and plants. Currently, many trails are closed, but the visit to Pescadero State Beach is beautiful, as are many of the beaches found the length of the coast of California.

And, if you didn’t know, all beaches are public in California, so even if someone’s house fronts the shoreline, the beach is there for all. There may be a couple of exceptions to this law, but by and large, no one can tell you that you cannot walk along the shore.

Watercolor, Arches Rough 140#, 12×16.

Deep in a Canyon

In the corners of southwestern canyons, near seeps, there is always something growing. These places are subject to harsh conditions, but somehow nature has evolved and beautiful trees and plants provide food and shade and protection for wildlife. And me.

I was really drawn to the contrast of the dark trees and shades of green against an ochre canyon wall. The shadows and the trees and brush create complex patterns in what is often a very barren landscape.

Watercolors, Arches 9×12 140# CP paper.

Beach Day at Low Tide

After a busy several days, including the winding down of my summer painting classes, I needed to do some watercolor and landscape painting! Oil painting and portraiture require a lot of focus, but it is so restful to just think about colors and shapes, as I do in watercolors.

This painting is inspired by travels along the Oregon coastline. I tried to capture both the color of the sea as well as the mistiness of the distant mountains. The little dots representing a beach filled with people was a bit inspired because I needed to do something with some empty space in the middle. Nothing like being the god of your landscape, eh?

Watercolor, St. Cuthbert’s Mill Bockingford paper, 140# CP, 12×16.