More roses – more C strokes – and then other kinds of strokes to make leaves. For the leaves, brush point on paper, squish down and move, bring brush up to another point. Just as in sumi-e! Then, while the paper and paint are still wet, take the tip of the brush and create little points around the outer edge of each leaf. Some roses have pointy leaf edges, others do not. I don’t think the Rose Police will come knocking on my door, though, so I am safe.
Roses in these kinds of sketches are easy enough to do. However, creating a successful painting of more than one sketchy rose is another story. Light, shadow, shape all begin to play together, and sometimes not very nicely.
Here, a rose with a simpler petal style than the classical tea rose. As a kid in the midwest there were deep red wild roses throughout the countryside, and here in California there is a bush as above along a local trail. There are about 5 petals around a yellow center, and the wild roses are messy things that are such a pleasure and delight to encounter.
Painting a white rose is not easy because white is influenced by light and shadow and shade. Instead, you have to look at the colors in the white – light? dark? cool? warm?
The above little painting was a success, but it is only a sketch. A bouquet of roses will be far more challenging and I really doubt my ability to succeed there.
Ink, Yarn & Beer 