Author: -N-

Concrete Cucumber

For the past year I had a roll of Fuji Superia 200 loaded into my vintage Welta Weltini camera from the 1930s. It works really well, but the fact is I really don’t like the camera all that much. It’s a 35mm camera, a small folder, and an excruciatingly small viewfinder. It does have a built-in focusing “spot” for lack of a better word, but the reality is that the tiny, tiny viewfinder makes it an extremely awkward camera to use, and it is not a pleasant experience. I think I may decide to sell off some of my collection. I doubt I could make a profit on this, but anyway . . .

Here, a cucumber on my patio this summer. Even though its leaves are not the most healthy looking, it has produced, and continues to produce, very tasty cucumbers. I thought I had planted lemon cucumbers, but these are what came up. Awhile back, I just planted every seed I had left, and there you are. I also planted some vining beans in the same pot. Out of all the seeds I stuck in there, planning to thin them after I could discern what plant was which, only two came up! Both were non-lemon cucumbers. I just water it every day, sometimes twice when it is nearing the 100s or high 90s, and the result is we have been enjoying our small patio crop.

The tiny viewfinder caught my knee in the original scan, so I cropped this to make it a square and did some post processing along the way.

Painting in July

I have done a fair amount of painting this last month, some of which has pleased me, and, of course, some which is not what I intended. In between has been some sewing and photography.

The paintings in this gallery were done mostly in July and are in both watercolor and gouache. I have been doing water studies for the most part – some still, inland water – some oceans and shore. For years the subject intimidated me, but now it is getting a lot easier. From water on the ground I have also moved to water in the air – fog, rain.

Now I plan to pull out the pastels and try these same subjects in a very different and unwet medium.

Storm Above the Pedernal

Another painting on the reverse of another, again employing dampening the paper before commencing. More hake brush wet-in-wet. I wanted to catch the brilliance of the land beneath the storm as spots of sunshine break through a fast moving storm. In the Southwest, this is common and exciting to see – sometimes the landscape shifts in seconds.

About Dionysos’ Pond

Another painting done primarily with a hake brush.

This painting was done on the reverse of a previously painted piece of Arches 16×20 CP 140#. I wet the paper initially, taping it only in the corners, and was rather pleased to see how the paper relaxed once wet. I moved the tape as needed to keep the paper flat.

Anyway, the work here was themed on wet-in-wet, use of an excessively large brush (for me!), and standing up, rather than seated. The results were interesting – standing up allowed for more freedom of brush stroke. Getting the paper wet and letting it set a bit before starting the washes also helped.

Compositionally, I think it is a bit bland – really very little to lead the eye. However, this was not my focus here; rather, I wanted to use the hake brush to create sky and foliage as well as broader swaths of color. The nature of the soft brush allows for thin lines, rough splotches of color with white or underlying colors to show through, as well as washes of subtle beauty. From there I used a rigger to create branches, trunks, and some more calligraphic and suggestive lines.