I took this photo a few years ago with my pre-WW2 Voigtlander Brillant. It is a simple camera that gives lovely results, as only a vinage camera can. I wonder if it is from their uncoated lenses.
I haven’t been to the local botanical gardens since last year, where this picture wast taken, when I fell down a hill and came home looking like something out of a horror film. A bit trepidatious to return, I admit. However, after the rains of last months, I know I have to go. The hills are greening, and the air of spring is in the air.
Definitely time to get out. I think more Ektar is definitely indicated, too.
Living in California meant traveling across country to move. We did this when I was 12, and I did it as an adult in my 30s.
Driving through the vast reaches of this country always amazes me. First, it is just BIG. Open miles of open land, a house or ranch or roadside attraction.. Huge mountains seen across miles. Winding roads where dust behind you flies in a cloud as you bump along, looking for rocks and holes. Freeways, local highways, dusty country lanes – this is what I enjoy when I travel. This fall we plan a trip across northern Nevada and into Utah, when the weather is cooler, and perhaps we will even enjoy colored leaves at the higher altitudes.
Awhile back I loaded up one of my old cameras – a Voigtlander Bessa RF 6×9 with a Heliar lens, ca. 1935 – with Ilford Ortho 80 Plus film. I forgot about it until I opened the back of the camera and slapped it shut as quickly as possible. As the camera only gets 8 pictures per roll, I lost a few – like 3. One image was too dark for use. But, the remaining 4, while not great, were fun to manipulate in post.
The Ilford film had just been released, so I bought a few rolls to test out. In my 35mm film camera, it worked beautifully, but my exposures were marginal in the 6×9 at best. I worked on them a lot to bring in discernible contrast – most were over-exposed. The lens on the camera is a beautiful Heliar, but my guestimates with 80 speed film were too high. As well, I used no filter since I don’t own one to use with the lens. So, above, a test shot to look at contrast – white flowers on dark green foliage. I created a preset in On1 Camera Raw that I liked; it brings out the details but doesn’t create too much contrast.
This photo makes me think of old dirt roads and stagecoaches jouncing along – like you see in 50s movies! The image got a light leak, but the details of the distant mountain – Mount Clef – and cacti are worth a look
Again, more detail and a bit of LR dodge-and -burn. This is the dried landscape nearby. When the winters are wet – which ours was not this year – the grasses and mustard can grow up to 8 feet. Easy to get lost in, but don’t – stick to the paths or ticks and other critters will get you.
Backcountry is beautiful and dangerous. I remember turning back here – a rattler was basking in the sun. That’s another good reason to walk where you can see ahead of you!
So, a bit of my West with my old camera and newer film and technology. The Voigtlander did not let me down, nor did the film. I am looking forward to taking this camera with me up to Morro Bay next week – along with more modern cameras – and out to Nevada and Utah. More Olde West to come!
Here is another camera I have taken pictures with, and which I am considering as a 120mm folder for our road trip. The Voigtlander Perkeo II and the Color Skopar lens are a great combo. I used Kodak Portra 400 in it, and really did not appreciate what the camera and lens and film can produce together. These were taken last year in August, and produced some of my favorite images.
What are your thoughts about this camera for a road trip?
These weeds – oat grass? – are typical grasses in open areas of southern California. The seed heads are sharp and stick into your socks and shoes and work their way in. Pity the poor dog who doesn’t get these removed . . . Mother Nature’s way to ensure a new generation is propagated someplace!
Ink, Yarn & Beer 