Sketches on a Hot, Lazy Afternoon

It’s over 90 F / 32 C today, muggy, and to do more than move around, even with air conditioning (which is not on at present), requires more energy than I want to spend. So, sitting at my computer, I decided to find pictures of things to draw.

My choice was carbon ink in a fine nib pen with a flexible point and the tan, toned paper I have been using for gouache. I get to sit still, cruise for a subject, and then scribble on smooth paper with a responsive pen. If you use pen and ink, you will know the pleasure it provides!

Above are my sketches. One piece of paper, both sides. Tan toned paper by Strathmore. I really like this paper.

I don’t think there is more to say other than it has been a very pleasant afternoon scribbling away. Each sketch is done freehand, no pencil prelims under the ink. Shapes and shadows and direction were all attempted to be expressed simply through the ink, hatching, dots, lines, etc.

Strathmore multi-media tan paper, 11 x 14, Platinum Carbon Ink.

Up a Cobbled Lane

More gouache, this time on toned paper – tan specifically. The tan paper seems to give an extra warmth to the colors applied over it. Besides using toned paper, I am trying to venture into different areas – here I am doing a totally urban scene. One thing nice about painting old buildings is that standardization wasn’t quite like it is now, so my door don’t all have to be the same size, nor my windows! Heck, even the cobbles are rather rough.

I like painting in gouache, but there are times when it gets to be a bit tricky as it re-wets and it is easy to pull up lower layers of color. To help prevent this, you need to start with thinner paint and add the heavier colors later. If a drop of water falls off our brush, you can make a bit of a mess in the area it lands. Most people when they use thicker gouache paint smaller paintings – it is not a paint that spreads out generously and stays opaque. The charm and challenge!

Gouache, Strathmore tan toned paper, 5×7.