Yncke, Woll, & Bere

If you have read this blog for awhile, you do know that I have made iron gall ink on a number of occasions, as well as cut my own quills. I have tried my hand at learning Secretary Hand from the 1500s, but I never could get into it. Now, though, my iron gall ink needs replenishing, and soon enough I will get around to it – once the rains stop and I can let my galls and old wine ferment in the California sun. And, I do plan to make some red ink from sappan wood (sappen?), too, but that is for another day, when supplies show up.

I came across a recipe for ink in the form of a poem while looking up handwriting or copybooks from days of yore. It contains recipes for iron gall ink, but also ink made from lamp black (soot), which is what sumi ink is from, but also from wool! Wool?

Purportedly from an English book of handwriting entitled A Book Containing Divers Sorts of Hands, by John (Jehan) de Beau Chesne (Beauchesne) and M. John Baildon, and published in 1571, here is an interesting bit of rhyme:

To make common yncke of Wyne take a quart,
Two ounces of gomme, let that be a parte,
Five ounces of galles, of copres take three,
Long standing dooth make it better to be;
If wyne ye do want, rayne water is best,
And as much stuffe as above at the least:
If yncke be to thick, put vinegar in,
For water dooth make the colour more dimme.
In hast for a shift when ye have a great nead,
Take woll, or wollen to stand you in steede;
which burnt in the fire the powder bette small
With vinegre, or water make yncke with all.
If yncke ye desire to keep long in store
Put bay salte therein, and it will not hoare.
Of that common yncke be not to your minde
Some lampblack thereto with gomme water grinde "

I did look up this book online and found many references to it, but not a digitalized copy could be found. I would love to see it. As well, hHow correct or incorrect this poem is as far as original spelling doesn’t matter – it is rather charming, as non-standardized English spelling can be.

What is good about this poem are the specific amounts for ingredients in the iron gall recipe, which perhaps I shall try. Stale beer can be substituted for wine, and the rest has proportions which can be worked out for larger or smaller amounts. “Copras” is known as “copperas” and that is simply ferrous sulfate. “Gomme” is gum arabic. “Galles” are the oak galls.

I found it interesting that vinegar is a better choice than water to thin ink that has gotten thicker with time – evaporation I expect – as well as adding salt (in an unknown amount) to keep it from getting mouldy. Wine helps, but perhaps the salt helps even more. The wool – woll, wollen – was the new source of ink for me! Research was required, and using Google, I came across this video.

I have a feeling I am going to give this a shot, using some odd fleece I have rather than woolen fabric. It will probably be best done outdoors, as the stench could be awful and the smoke could set off the smoke detectors. It is also probably a great way to recycle your old clothes, if you are really desperate for yncke.

Oak Gall Ink: Day 1

Yesterday’s post was about oak gall ink (which I may also refer to as “iron gall ink”), how it is made, some historical information, and what not.  Today I will tell you about what I did, accompanied by my fine photography!

The Receipt:  Take 80 g. oak galls, pulverize into fine powder, and dissolve in 300 ml. of distilled water.  Place into jar, seal, and set out in the sun for 3 days.

I weighed out 300 ml. water on my digital scale, followed by 80 g. of oak galls – which came to exactly 3 ounces!  I put the galls into my non-used coffee mill, but the outside was so tough I took them out, placed them in a baggy, and took a 3 lb. hammer to them – well, Josh did the first honors of crushing the galls, and I immortalized him.

After the crushing in the baggy, the galls were placed in the coffee mill a second time and were pulverized into a powder.

Thence, they were transferred to a pint Ball jar, water added and powdered stirred in.  I placed a thin layer of plastic wrap between the lid and contents, shook it up a bit, and took it outside to enjoy the benefits of the sun for the next three days.

Shaking will occur daily, as thought about, and on the 25th the ferrous sulfate heptahydrate will be added.  Who knows if that step will work at all!

Note:  To see the pictures larger, click on one in each group to work through a slide show.

Oak Gall Ink: What To Do

 

If you were to google “oak gall ink” a bazillion links turn up.  Videos, message boards, recipes, historical documents are revealed to the unwary.  In particular, there are two ways in which oak gall ink – also known as “iron gall ink” – may be made.  One involves the simple crushing of oak galls and then steeping them in water (distilled is probably the best choice as  there are no chemicals to interact with the galls), and the other is a 2-month long ferment which gets (eww, gross) all moldy.  I’m not sure the latter is up to my tastes, but I will give it a shot nonetheless. Today, though, is the “short version” – perhaps a process lasting a week or less.

There are two sites which I think give a good indication as to the process I plan to use.  The first is this video from the British Library:

This next link is from the Schoenberg Institute for Manuscript Studies, out of the University of Pennsylvania Libraries.  I rather like the description, the detail, the grey kitty Chloe, and the historical evidence of a cat with inky paws on a manuscript.  Both are good reads, so take the time to travel a bit.

Receipt for Iron Gall / Oak Gall Ink

  • Oak galls:  80 g.
  • Distilled water:  300 g.
  • Ferrous Sulfate:  50 g.
  • Gum Arabic:  25 g.

Crush oak galls into small pieces or grind into powder using a spice or coffee mill.  Place into jar and cover with 300 ml. of distilled water.  Place in sunny window 3-7 days (depending on your life and schedule).  I plan to do 3 as per the recipe from the Schoenberg Institute.  After 3 days, there should be a dark murky liquid in the jar.

On Day 3, add 50 g. of Ferrous Sulfate to oak gall mixture; replace in sunny windows for another day.  On Day 4 add the Gum Arabic and leave for another day.  On Day 5, strain the liquid into a clean vessel and voila, ink!

Thoughts and Concerns

My first concern is I am using ferrous sulfate heptahydrate, which is apparently a hydrated form of ferrous sulfate that dissolves more readily in water than the normal.  My next concern is the ratio of oak galls to ferrous sulfate – it is 8:5, or much closer than the 5:1 and 3:1 ratios I have seen in other recipes.  The more acidic the ink, the more destructive to pen nibs, quills, and paper.  However, at this point, I’ll take it as the ferrous sulfate heptahydrate may not create such a strong acid.