Through the Trees

The Monterey Peninsula is a wonderful place to visit. The ocean, landscape, towns, history all work a kind of magic. I would like to spend more time up here in various areas. We went to Monterey and stayed on the border between it and Pacific Grove. Walking was the mode of transportation for the most part, and we probably put in about 10 miles in 2 days. Here is a view as we walked back from Lover’s Point in PG to Monterey.

I took my trusty, rusty, beat up and brassed Nikon FM2n and a few lenses. One day I had the 50mm f1.4 AIS on the lens; this day I had the Series E 100mm f2.8. I also used Lomography Metropolis film, and I will say I really liked it. It’s sort of grungy looking, but not grunged up (if that makes sense) artificially. It is not a sharp film, either. Rated at 100-400 iso, I set the FM2n to 200 and metered accordingly. This is a crop from a larger, rather boring image.

En Plein Air

We spentĀ  three days in Monterey, California, doing basically nothing but eating and walking miles along the boardwalk in Pacific Grove and the bike path in Monterey. We walked and then ate, and then sometimes walked some more. When we weren’t walking or eating, the activities included simply being blobs, like reading books or knitting or watching “Good Omens”. It was a really hellish vacation.

While walking in Pacific Grove, we admired trees and people and rocks and birds. Then I espied this gentleman, out in the full sun, painting a view behind me. I stopped and looked, and decided to chat him up a bit – it is very seldom I see someone painting directly from the real world. Where I live, you are likely to faint from dehydration these days.

Anyway, he was so friendly and nice! (And he let me take his picture, too.) His name is Ethan Walsh, and he has a lovely website, Ethan Walsh Paintings which I decided to visit. His paintings appear deceptively simple – they look so easy to have done, but you can see the skill and work behind them. His portraits are really amazing, especially in his ability to capture expression. I wish I could do as well. Add to that, he paints the Monterey area, and he catches the light and geography beautifully. Look him up!

This is the view Ethan was painting – Monterey pines on a rocky outcropping into the waters of the Monterey Bay. Here he is painting in oils and was using a fine brush to catch the details. This painting is very different than the ones I saw on his website, and to me this attests to an ability to move in many dimensions when wielding pigment.

Ethan – if you read this, thanks for spending a few minutes with me in the middle of your painting. I really enjoyed it!

And for those of you who are curious, these images were taken using a Nikon FM2n, 100mm Series E f2.8 lens and Lomography Metropolis film.

Heart of the Pine

Today I am going to break the silence of the Silent 365 project.Ā  I’m a bit behind, but I’ll tell you why.

I have been working for hours on managing the software quirks for the Pakon 135 scanner I use for 35mm film.Ā  I finally have it working where I can do color negative film, positive / slide film, C-41 black and white, and genuine black and white.Ā  Post processing is done primarily in Lightroom and On1 Photo Raw.Ā  It’s a good feeling that I can scan my film in a good scanner which produces better results than a flat bed.

Ah, the benefits of retirement!Ā  Time to solve problems and stay focused on them for a long time!