
The twisting branches of oak trees never ceases to amaze me. The bark’s texture is symmetrical and rough, pleasing to the hand. Oak leaves are all different, but still have their odd shapes. Acorns, too, are the same and different. Very grand trees!

The twisting branches of oak trees never ceases to amaze me. The bark’s texture is symmetrical and rough, pleasing to the hand. Oak leaves are all different, but still have their odd shapes. Acorns, too, are the same and different. Very grand trees!

The original of this image had the poppies in the background burnt out against the sky. In LR, I created 5 virtual copies, each with a + or – value of 1 or 2, creating virtual bracketing. I exported them as tiffs. In Photomatix, I blended them to create a single image. The last move was into LR6, creating a slightly warmer cast, creating a gradient from the upper left to lower right (about half way). In the gradient, I adjusted the temp and tint sliders to adjust the sky. Final touch was a bit of clarification and dodging of the poppy in the foreground.

Taken with the Canonet GIII QL rangefinder with Kodak Portra 400. Developed by a local lab (which is friendly and does nice work) as well as scanned, this is my own scan from the Pakon F135 scanner. I also did some post in LR and DxO to reduce the noise. Because of the detail, I probably used f5.6 or so, and not enough time – the original was darkish – so the film was quite grainy.
This brings up the question – why do film when you are going to manipulate it in the computer anyway?

I am trying out different films in my attempts to master film photography, from exposure factors to composition. At some point, I will begin my own developing in B&W as well as color. This is part of my year’s focus for “things to learn” – or else!

Interesting how a place I see in color can look when not in color.