Shadows & Leaves

 

shadows-and-leaves

When I scanned the images from the first roll of film through the Yashica D TLR, I think I scanned them at 3600.  They are BIG!  I wanted to see the details capable of the camera and the lens, and I was honestly really, really pleased.  Here on offer is a portion of a picture I took of leafy plants nestled in the dappled sun beneath an oak tree along the Moonrise Trail.  The Yashinon lens does a superb job altogether.  This is about 1/10 of the original picture.

Fallen

Fallen

Another image from the roaming of a year ago.  I put off developing the images because I thought I would do it – that is, developing my own black and white.  I found I like the sense of accomplishment – but I don’t like the stress – of home developing.  So, I had them done in a lab which accommodates each type of film.

Kentmere seems to be a pretty nice film, and it is reasonably priced.  I have more true b&w I want to use and process, such as Ilford Delta 100 and Fuji Acros 100.

A Place for Birdsong

a-place-for-birdsong

I thought I had left my Werra in Paris when I flew there a few weeks ago for lunch, but I didn’t.  Lucky me!  I found it this afternoon, and that inspired a hunt through the archives for some images I took last year when it first arrived in my hot little hands, all fresh and shiny from Holland.  I currently have it loaded with Fuji Natura 1600, for night work (maybe I will try it for the super moon on the 13th or 14th).

This is one lovely little camera, and a very, very odd one.  It’s a rangefinder, with all controls on the lens, including cocking the shutter and advancing the film.  The lens is a Carl Zeiss Jena 50mm, f2.8, and as you can see, it renders wonderfully sharp images.  I’ve got a bunch of colored lens filters, for b&w work, so once the current film is used up, I’m going to try some Acros 100 or Delta 100.

on-the-hillside