Tomatoes in Suburbia

Nothing like a mistake that is rather a fun one – here, double exposure in my Certo Six folding camera. I forgot to advance the film and thought there was an issue, so released the exposure button again by choosing the “bypass” button. (If you have a Certo Six, you know what I am talking about.) It makes me think that it might be a fun exercise to deliberately, rather than accidentally, create double exposures. Maybe even triple. Or quadruple. Such is possible!!

This is with Portra 400, a film I always find way to delicate in color for my taste, but it could be I will change my mind after cataract surgery. This is pretty much SOOC with just some spot removal in post. I don’t like spotty film . . .

Whaler’s Cove with a 1937 Welta Weltur

There is something so different in the quality of a photo taken with a film camera, rather than a digital camera.  It is apparent even more so when it is done with an uncoated lens from 1937.  The lens in question is a lovely Schneider Kreuznach Xenar 2.8, 75mm, taken using 1937 Welta Weltur camera.  It is a folding camera that takes the still-available 120mm film.  I used Ektar 100 by Kodak, and applied the Sunny 16 rule for manual exposures.

I have a 6×6 version with a 6×4.5 reduction mask.  I thought I had removed the mask – but hadn’t.  All my supposedly square images came out rectangular!  I stitched two images together in PS6 and then tediously removed threads and dots of dust that were apparent even after scanning with Digital Ice on the Epson V600.

This photo makes me think of landscape paintings of the 1700s and 1800s – especially that turquoise sky.  Mayhap a painting will follow.