Last Day of April – Morning Sketches

The last few days have been the quintessential spring days in Southern California – and I have been outside, but never enough. I planted some tomatoes and cleaned up some plants in the patio garden, basked in the sun, and have done very little. Today, though, pen and watercolor beckoned with the morning coffee, and the colors of spring and the outdoors called.

Grape hyacinths are so odd to me! I am used to the big ones, in pinks and blues and flower petals which curl outward. Grape hyacinths make me think of little bells. This is the first year I have ever grown them, and short-lived as they were, they were so much fun to see. Bulbs always make me happy, and I have a variety of them, such as iris, ixia, daffodils. Bulbs need to be hybridized for our warm California winters, so they are not so rare as they used to be, but never seem as exciting as they do when they flower in a patch of snow.

I was poring over some photos I have, taken by me or collected through Pixabay and other free online royalty sources. Palm trees and banana plants. I did this to practice dry brush on a wedge brush – nothing great but it accomplished what I wanted – a soft bit of blending, such as in the foreground.

Once more lavender fields in Provence and other areas of southern France. In particular, mixing lavender that is bluish is a challenge; here, in watercolor, I diluted my purples with some blue and rose, as well as some greenish colors to suggest the lavender’s foliage. The scan didn’t do a great job. Additionally, I wanted to capture the texture in the rocky faces of the mountain, cracks vertically and horizontally in the bare stone.

Finally, a favorite place of mine – Figueroa Mountain in Santa Barbara County. In the spring, lupines and poppies bloom, and the view across the Santa Ynez Valley extends for miles. To me, this is the epitome of a wonderful time of year in California. It is when the rains turn the hills from brown and dull to an intense display of yellow, gold, and purple.

Drawing with ink and watercolor is pleasant and relaxing, and doing it in a sketchbook takes away the desire to create a masterpiece. Here, exploration, play, practice.

Carbon ink on watercolor paper; Rosa pan watercolors.

Palm Tree in Hawaii, with Peter Sheeler

Peter Sheeler does it again – another video to learn from.  This is from Hawaii, and as Peter notes in his video, he has never in his life drawn a palm tree.  I actually think this might be a banana tree – we use them as decorations in my neighborhood.  This doesn’t matter, though; Peter’s mastery is what I wanted to learn from.  My take below.

My contrast is nowhere as attractive as Peter’s.  I am a bit more muddied.  Part of it is because I am not using either Sap or Hooker’s Green, both which I prefer to Viridian, which is part of the palette I pulled out to use.  My own preference is Hooker’s, as it is a wonderful green to add yellow or blue, for brightening or darkening.

Another comment, this is some of the Bee 6×9 paper I bought.  A bit of a sizing issue seemed to be “felt” in a couple of spots on the paper.  Still, for quick studies, I am not faulting the paper at all – I have been enjoying using it.