Touches of Light

touches-of-light

I’ve been on quite a roll using my older cameras.  This is one of maybe 2 or 3 images (out of 8 possible on a roll) taken with my only 6×9 camera, the classic Voigtlander Bessa RF from the 1930s.  This my first experience with Fuji Pro 400H 120mm film.  My scans were not the best, but worse was the amount of crud on the film.  Processor or me?

Overall, pleased with both film and camera, especially how dark the trail was from being underneath so many trees, the fact that it was early morning, and that I had to handhold the camera – no tripod! – to get what I wanted.  Oh, I guessed at all the exposures too!

Shadows & Leaves

 

shadows-and-leaves

When I scanned the images from the first roll of film through the Yashica D TLR, I think I scanned them at 3600.  They are BIG!  I wanted to see the details capable of the camera and the lens, and I was honestly really, really pleased.  Here on offer is a portion of a picture I took of leafy plants nestled in the dappled sun beneath an oak tree along the Moonrise Trail.  The Yashinon lens does a superb job altogether.  This is about 1/10 of the original picture.

Fallen

Fallen

Another image from the roaming of a year ago.  I put off developing the images because I thought I would do it – that is, developing my own black and white.  I found I like the sense of accomplishment – but I don’t like the stress – of home developing.  So, I had them done in a lab which accommodates each type of film.

Kentmere seems to be a pretty nice film, and it is reasonably priced.  I have more true b&w I want to use and process, such as Ilford Delta 100 and Fuji Acros 100.

A Place for Birdsong

a-place-for-birdsong

I thought I had left my Werra in Paris when I flew there a few weeks ago for lunch, but I didn’t.  Lucky me!  I found it this afternoon, and that inspired a hunt through the archives for some images I took last year when it first arrived in my hot little hands, all fresh and shiny from Holland.  I currently have it loaded with Fuji Natura 1600, for night work (maybe I will try it for the super moon on the 13th or 14th).

This is one lovely little camera, and a very, very odd one.  It’s a rangefinder, with all controls on the lens, including cocking the shutter and advancing the film.  The lens is a Carl Zeiss Jena 50mm, f2.8, and as you can see, it renders wonderfully sharp images.  I’ve got a bunch of colored lens filters, for b&w work, so once the current film is used up, I’m going to try some Acros 100 or Delta 100.

on-the-hillside