Disastrous Fun

I promised to paint more buildings.  So I did.  I painted a house in the middle of a cold, cold climate in the dead of winter.  I made better house drawings when I was 10.

I have really lost touch with real cold, real snow, and a real winter.  I do have memories, though, of the intense gloom of the woods in northern New York state.  There was something so magical about them – the silence of the woods, the snow falling, the sense of being alone in the world.  I liked the idea of capturing that with a building, on water, in the dead of winter.

Buildings mean people, even in the middle of nowhere, on a river.  People usually mean unnecessary noise, and in the woods or hiking, the last thing I want is noise.  Silence is something to be savored in our noisy age.

So, let’s get back to the “disastrous fun” of this posting.  “Disastrous” as this is such an amateurish painting, and “fun” because the more I got into, and the more I realized how awful it was, the more fun I had.  Making a “good” painting no longer had any meaning – it was the experience.  And the snow.

The final touch was the snowflakes.  White gouache to spatter.  I spattered on the painting.  It flew onto my glasses.  I spattered some more.  It flew onto my glasses.  I changed how I was spattering, and there were streaks.

Snowflakes don’t streak in the real world.  Spattering paint is an art form in and of itself.

Tulips in a Glass Vase

Flower paintings are some of my favorite things, just because I like flowers.  Painting them is another story.  Tulips are such cheerful, seasonal flowers, appearing in the market for a short time; I always have to buy a bunch or two or three.

Determined to paint a vase and water with stems, to really look at them, I put the tulips in a rather coarse, rectangular glass vase.  The edges of the vase are wavy, and it is far from perfect, which gives it a rather pleasant charm.  It seems I rather avoided the stems – my picture got too big!  I’ll give it another try later.

Parts of this painting work, but overall it feels rather labored in appearance.  I’m not quite sure why – maybe too many glazes took away a sense of spontaneity as well as clumsy negative painting.