Today is nearing the end of the spring break. The weather has been wonderful, with a day of rain to clear the air, and sunny days with wind and fair skies. The trees are budding into leaf, the birds are making love songs, and the squirrels, well, are going nuts.
And in the middle of all this, I have managed to get a grip on things, meet up with people for lunch, read a bit, knit, and think about (but not do) some gardening. I have a fig tree and plum tree which need attention, a vine to move, and so on. And a lot of knitting projects. When I have time to play, I like to begin things. But do they get done?
Owls
All I need to do is sew on the buttons – but I made a mistake in the darts so, rip it or not? This is a pattern by Kate Davies at Needled.
Buttoned Cardigan
Only a few inches left on the sleeve and I am done. What’s taking me so long? This is a cardigan by Eva Weichmann, owner of Eva’s Needlework in Thousand Oaks, CA, which I’ve mentioned before.
Top Down Beret from Hell
I’m beginning the decreasing toward the brim . . . not soon enough!
Hat in Design Mode
I found an issue here – bobble placement. Back to the drawing board.
Just a gorgeous hat, but I got sidetracked. Lucy is one of my favorite designers and photographers.
Gloves
One hand down, another to go.
Mittens in Design Mode
Out of my Cascade 220 stash.
The Relentless Scarf
So boring I can’t stand it.
Socks
Lots of socks. Too many. And this is not all the inventory, either.
Socks to be Ripped
The yarn is from Riihivilla in Finland, naturally dyed with cochineal and indigo. I’ve decided that the yarn is too pretty to hide on my feet, so now all this is sitting on my desk while I reconsider how to use the yarn to show it off.
Victorian Lace Shawl
Nearly done. It’s been sitting on a shelf for two years. I don’t know what is taking me so long, but I think it will get finished pretty soon. It is a beautiful yarn, perfect for the pattern, and the colors have a lovely iridescence.
I finally found my 40″ circular needles, and transferred this never-ending beret to them. Spread out, this is an ugly item! Too much open space between verticals and cables. Too many stitches. Way too big even for the 40-inchers! Maybe I’ll felt it.
Despite that, the progress has been educational. I think my original pattern with a lot of cables would be far more interesting to look at, though admittedly I am rather tired of them right now.
Yesterday was a sunny day, I had some Cascade 220 lying around, I didn’t want to think too much, and I had a delicious book to listen to, and it all worked out together.
For quite some time I have been eyeing the Sanquhar knitting patterns, which are attractive geometric designs with contrasting colors. I chose the traditional white and black (mine is really a cream and dark charcoal grey). I imagine these designs could be quite stunning in all sorts of colors. From the time I sat down with my needles, to the time I finished this hat, was about 5 hours. I was amazed at how quickly 110 stitches knit up, and how easy it was to memorize the pattern once it was set up. The pattern used for this hat is called the “Duke” pattern, which is very pleasing to the eye.
If you are interested in learning a bit about Sanquhar knitting, you may visit the Future Museum, which has a wonderful collection of different samples of Sanquhar patterned clothing. If you would like to read about making gloves using the pattern used in Winter’s Night, take a look at tata-tatao.
I guess I can focus again. Yesterday I made a hat. And my husband looks great in it!
For the last couple of weeks knitting has wandered in and out of my day, along with my sourpuss attitude. This latter has, I hope, been vanquished, even if temporarily.
I’ve been really frustrated by this pattern, so decided to try it from the bottom up. And, it began to make sense. The pattern has changed rather considerably, but the lacy mock cable and top down construction remain. I’m not doing as many cables – considerably less. Where I had planned a number of cables, I am now using simple a line of knit stitches on a purl background. All knit stitches are now knit through the back loop except for a couple, which will be seen in the pattern.
The most interesting element is just how much simpler the pattern is, and so much easier to knit as it grows more organically once a certain level is reached in the stitch increases.
The weather turned this weekend from cold and windy to warm and sunny, with all the elements of spring making themselves known: the mockingbirds in the trees, the frisky squirrels, daffodils and freesias blooming. Thus, for a few days, the cabled beret was tossed out the window (figuratively, not literally), while the dye pots and colors and yarn came out to play.
A couple of weeks ago I sent away to Wool2Dye4, and ordered two skeins of their 100% washable merino sock yarn, their 80/20 merino bamboo combo sock yarn, and a one-pound cone of their Blue-Faced Leicester. I also had some sock blanks from KnitPicks that have been waiting many months to turn into butterflies. My MIL’s birthday is on the Ides of March, so this yarn and dyeing is something we do occasionally as a birthdye present for her (and for me, though I’m 7 months from now . . .).
Anyway, it was a blast! First thing we did was to paint up our sock blanks. We used powdered dye mixed with water – I’ll detail that in another post – and plastic syringes to place the colors. Judy’s sock blank is below.
Judy's Sock Blank - Before Steaming
This is my sock blank.
My Sock Blank - Before Steaming
We did this out on the picnic table, on top of a plastic tarp. Before dyeing the blanks, two long sheets of plastic wrap were stretched out beneath where each blank would go, and pressed down to make a seal. The blanks were soaked in warm water with a tablespoon of dish soap (Dawn) for about 30 minutes. We set up the dyeing table and colors while the blanks soaked.
Once we had our blanks painted, into the kettle they went! We rolled the blanks up in the plastic wrap, folding over the edges and such to seal in the colors, with a final sheet of plastic wrap, like a burrito. The kettle was set up with a vegetable steamer and plastic tray, and the blanks steamed for about an hour. Once they were done, we pulled them out and, as quickly as possible, freed them from their coverings and set them in a basin of warm water mixed with about 4 oz. of white vinegar. There they cooled, and while they were cooling, we got on to more dyeing!
Our “cooked” sock blanks now looked like this:
Judy's Sock Blank - After SteamingMy Sock Blank - After Steaming
One would hope that the abstract patterns would come out like the blank, but already I know they won’t. I’ve started knitting up my socks, or gloves, or whatever they are going to be. The colors are intensely rich, and the photos really do not show what they look like. Judy’s will more likely show its pattern – the blanks are always described as “make your own striped socks” – so it makes sense. Still, it is fun to knit them up to see!
The next dyeing adventure was to spread out a skein of yarn each, already soaked, and pour colors onto the skein. We’ve done this before, and often the patterns of the colors are really enjoyable. Judy made used multiple colors in hers, and I decided to go for a more monochrome pattern. You can see the results to the side – the turquoise skein is mine, and the multicolored one is hers.
The results of this are really satisfying as you can create strips or areas of color and work the color into the yarn. Judy’s painted skein is very obvious in its sections of color, but where the colors overlap can become very exciting. Mine is more subtle, which is odd for me, and for once the magpie did not overtake the entire project. I really like the turquoises and blues which were the result of mushing together a few shades of blue and turquoise. Wrapping the skeins in plastic wrap and steaming them allows for the different projects to go into the same pot without polluting each other.
The final project was to create flammegarn. This is a resist method used in Scandinavia to create randomly bicolored yarn. White or colored wool is tied off with yarn, in sections, and the yarn is immersed into color. The result is randomly colored and white yarn, much like our multi-colored yarns of today, but with fewer colors and shorter areas of color. The results are always fascinating.
Judy Holding the Tied Flammegarn Skeins
We decided to use the same colors, and to utilize our knowledge of color mixing to get some results. We dyed our entire skeins a rather lime yellow greenish color. Once we could handle the yarn out of the dye pot, we tied ours off. Judy is holding up the dyed, still tied, skeins.
And then you can see her holding up the now untied skeins. Hers is on the left, and mine is on the right.
She liked her colors, but for me, the colors did absolutely nothing. Yucko! Just not for me. So, I decided to overdye my flammegarn skein, and I am so glad I did.
Judy with Untied Flammegarn Skeins
I decided to continue to apply color theory to the flammegarn. The yarn was a rather yellow-green and blue-green. I could overdye the yarn with a turquoise, but then I would have two similarly colored skeins. I decided to use violet. The yellow would turn to a grey color (yellow and violet being complementary colors), and the blue would turn to a blue violet. Into an intensely purple dye pot it went!
You can see from the results, the overdye was perfect. No more putrid yellow and blue green. The overall effect of the skein is a rather purplish blueberry color – more violet than blue – and really nicely mottled. Up close, with some photoshop lightening of the picture, you can see the colors a bit more distinctly.
The long, thin picture of the skein is close to the real color, and in daylight it has that deep purply blue color. The larger picture on the left shows you the detail of the color, which, when knitted up, should add a bit of interest to the yarn itself.
Altogether, this was an incredibly satisfying day! The random effects of dyeing are half the fun – just experimenting and playing. You can see that Judy has an eye for detail and construction. Her colors are more orderly than mine, and I tell you, I really admire that in people. She is, for example, and incredibly talented beader and needlepointer, with the patience of a saint. Her work is impeccable. Me, I am far more crazy and like the process of making a mess. Too often, a mess is just the result. However, I was really pleased with the way everything turned out, for both of us, and I know we had a lot of fun together. With spring approaching (here in California), the plants are beginning to grow, and we plan on a natural dyeing adventure pretty soon, with native plants, as well as materials from other parts of the world. Stay tuned!
Ink, Yarn & Beer 