Category: Chatter

Drawing Practice

Frustrated with my inabilities to realistically do perspective and depth, which I attribute to my lack of depth perception, I’ve decided to re-edu-um-cate myself!  I signed up for an online gouache class by Lena Rivo, which has been great, as well as bought an eBook version of Bert Dodson’s Keys to Drawing.  I have decided to dedicate part of each day to doing at least one of his exercises if possible.  The hope is to improve my drawing skills, which are the problems behind some of my painting issues.

First exercise is contour drawing.  The purpose of this is to get used to the idea of checking what you see against what you draw, and get the idea into your head that what you see is not what you think.  This means looking at angles and curves as well as relationships of parts to each other.  Here are my exercise examples, diving in feet first!

Next was fun – look at your hand face on – that is, fingers in your face!  Close an eye.  Draw!

And then, imagine a pepper.  Draw it.  Then get a real pepper and take a good, strong look at it, and draw.  My imaginary pepper is at the top, and the real pepper, in three positions and three variations of drawing style, are below.

Very glad I chose to do this!  More to come.

You would think that a pair of cherries would be easy . . . uncomplicated . . . a breeze!

Not!

But now that I have begun to focus on simplifying everything, and moving into detail, it actually got easier.  So, rather pleased with the final result.  I took my time and find the results worthwhile.

Estuary

 

This is a pretty small painting – but most gouache paintings are as the medium almost seems to demand it.  After the disastrous flowers of the other day, the feeling of overworking my paints, I decided to simplify.  Yesterday’s beach scene is a good example of simplification.  And today is a bit more complex of a painting, but it is still simplified.

To simplify things, I looked at the big areas.  This meant the sand in the foreground, the sky, and the masses which make up the middle ground, both light and dark.  Those were laid in first.  From there, more details in a middle stage, and final details – the small stuff – were done.  This also matched the brushes I used – big to medium to small.  “The Three Bears” and the Goldilocks effect.

I also was a lot calmer when I did this painting, and I was in the studio, not in 85F weather with a steady breeze to dry out my paints and raise my temper!  Lesson learned there.