A Good Day to Dye

The weather turned this weekend from cold and windy to warm and sunny, with all the elements of spring making themselves known:  the mockingbirds in the trees, the frisky squirrels, daffodils and freesias blooming.  Thus, for a few days, the cabled beret was tossed out the window (figuratively, not literally), while the dye pots and colors and yarn came out to play.

A couple of weeks ago I sent away to Wool2Dye4, and ordered two skeins of their 100% washable merino sock yarn, their 80/20 merino bamboo combo sock yarn, and a one-pound cone of their Blue-Faced Leicester.  I also had some sock blanks from KnitPicks that have been waiting many months to turn into butterflies.  My MIL’s birthday is on the Ides of March, so this yarn and dyeing is something we do occasionally as a birthdye present for her (and for me, though I’m 7 months from now . . .).

Anyway, it was a blast!  First thing we did was to paint up our sock blanks.  We used powdered dye mixed with water – I’ll detail that in another post – and plastic syringes to place the colors.  Judy’s sock blank is below.

Judy's Sock Blank - Before Steaming

This is my sock blank.

My Sock Blank - Before Steaming

We did this out on the picnic table, on top of a plastic tarp.  Before dyeing the blanks, two long sheets of plastic wrap were stretched out beneath where each blank would go, and pressed down to make a seal.  The blanks were soaked in warm water with a tablespoon of dish soap (Dawn) for about 30 minutes.  We set up the dyeing table and colors while the blanks soaked.

Once we had our blanks painted, into the kettle they went!  We rolled the blanks up in the plastic wrap, folding over the edges and such to seal in the colors, with a final sheet of plastic wrap, like a burrito.  The kettle was set up with a vegetable steamer and plastic tray, and the blanks steamed for about an hour.  Once they were done, we pulled them out and, as quickly as possible, freed them from their coverings and set them in a basin of warm water mixed with about 4 oz. of white vinegar.  There they cooled, and while they were cooling, we got on to more dyeing!

Our “cooked” sock blanks now looked like this:

Judy's Sock Blank - After Steaming
My Sock Blank - After Steaming

One would hope that the abstract patterns would come out like the blank, but already I know they won’t.  I’ve started knitting up my socks, or gloves, or whatever they are going to be.  The colors are intensely rich, and the photos really do not show what they look like.  Judy’s will more likely show its pattern – the blanks are always described as “make your own striped socks” – so it makes sense.  Still, it is fun to knit them up to see!

The next dyeing adventure was to spread out a skein of yarn each, already soaked, and pour colors onto the skein.  We’ve done this before, and often the patterns of the colors are really enjoyable.  Judy made used multiple colors in hers, and I decided to go for a more monochrome pattern.  You can see the results to the side – the turquoise skein is mine, and the multicolored one is hers.

The results of this are really satisfying as you can create strips or areas of color and work the color into the yarn. Judy’s painted skein is very obvious in its sections of color, but where the colors overlap can become very exciting. Mine is more subtle, which is odd for me, and for once the magpie did not overtake the entire project. I really like the turquoises and blues which were the result of mushing together a few shades of blue and turquoise.  Wrapping the skeins in plastic wrap and steaming them allows for the different projects to go into the same pot without polluting each other.

The final project was to create flammegarn. This is a resist method used in Scandinavia to create randomly bicolored yarn.  White or colored wool is tied off with yarn, in sections, and the yarn is immersed into color.  The result is randomly colored and white yarn, much like our multi-colored yarns of today, but with fewer colors and shorter areas of color.  The results are always fascinating.

Judy Holding the Tied Flammegarn Skeins

We decided to use the same colors, and to utilize our knowledge of color mixing to get some results.  We dyed our entire skeins a rather lime yellow greenish color.  Once we could handle the yarn out of the dye pot, we tied ours off.  Judy is holding up the dyed, still tied, skeins.

And then you can see her holding up the now untied skeins.  Hers is on the left, and mine is on the right.

She liked her colors, but for me, the colors did absolutely nothing.  Yucko!  Just not for me.  So, I decided to overdye my flammegarn skein, and I am so glad I did.

Judy with Untied Flammegarn Skeins

I decided to continue to apply color theory to the flammegarn. The yarn was a rather yellow-green and blue-green. I could overdye the yarn with a turquoise, but then I would have two similarly colored skeins. I decided to use violet. The yellow would turn to a grey color (yellow and violet being complementary colors), and the blue would turn to a blue violet. Into an intensely purple dye pot it went!

You can see from the results, the overdye was perfect. No more putrid yellow and blue green. The overall effect of the skein is a rather purplish blueberry color – more violet than blue – and really nicely mottled. Up close, with some photoshop lightening of the picture, you can see the colors a bit more distinctly.

The long, thin picture of the skein is close to the real color, and in daylight it has that deep purply blue color.  The larger picture on the left shows you the detail of the color, which, when knitted up, should add a bit of interest to the yarn itself.

Altogether, this was an incredibly satisfying day! The random effects of dyeing are half the fun – just experimenting and playing. You can see that Judy has an eye for detail and construction. Her colors are more orderly than mine, and I tell you, I really admire that in people. She is, for example, and incredibly talented beader and needlepointer, with the patience of a saint. Her work is impeccable. Me, I am far more crazy and like the process of making a mess. Too often, a mess is just the result. However, I was really pleased with the way everything turned out, for both of us, and I know we had a lot of fun together. With spring approaching (here in California), the plants are beginning to grow, and we plan on a natural dyeing adventure pretty soon, with native plants, as well as materials from other parts of the world. Stay tuned!

Basic Beret: Creating a Top-Down Beret, iv

Decisions Made!

I thought about this beret a bit, and did a little research on shapes of berets and tams, and decided that I could continue on straight along on 240 stitches.  I also transferred the stitches to a longer needle – I think it is a 36″ one – forgot to measure it before transferring the stitches – and the hat fits very nicely on it.  The plan is to continue until there are at least 7 pattern repeats – about 35 rounds – before considering decreasing toward the brim.  This choice will be dependent on the diameter of the hat at this point, or the distance of the radius, which would be measured from the base of the tab.

Truth Time

And now for a confession:  I am using size 6 needles!  Not 8s like I originally posted.

Final Rounds Before Decreasing

This is the pattern I plan to follow, beginning with the last increase round, which is rnd 19.

Rnd 18: *k2, p2* to end 192
Rnd 19: *k1,  yo, k1, p2* to end 240
Rnd 20: *k3, p2* to end 240
Rnd 21: *K3, p2* to end 240
Rnd 22: *MCCO,  m1 purlwise, p2* to end

Note:  This is to keep the stitch count the same.  If you did *MCCO, p2* to the end, the result would be 192 stitches.


240
Rnd 23: *k2, p3* to end 240
Rnd 24: *k1,  yo, k1, p1, p2 tog* to end

Note: The p2tog is at the end of the purl section, in the idea that it will balance out the decreases 2 rnds previous


240
Rnd 25: *k3, p2* to end 240
Rnd 26: *k3, p2* to end 240
Rnd 27: *MCCO,  m1 purlwise, p2* to end 240

From this point on, rnds 23 through 27 will be repeated.

Purlwise Increases

From the point I began doing the purlwise increases, I have stayed with the purl increases being done in the stitch below.  How I approach this increase depends on whether the stitch on the left needle is a purl or knit stitch.

To do them, on a purl stitch, I just stick the needle into the front “pearl” under the live stitch.  The needle looks like you are ready to knit.  Take the left hand needle and tuck it into the front of the stitch on the right needle, and remove the right hand needle.  The stitch is now twisted properly.  Purl it like you would a normal purl stitch.

The ones done next to knit stitches I go in from the back into the loop on the right side of the knit stitch with the right needle, and lift the stitch directly onto the left needle with the right.  The right hand needle should be in the purl position.  Purl the stitch.  If your next stitch is a purl, continue on; if the next stitch is a knit, bring yarn to back of needle, and knit the next stitch.

Doing your purl increases prevents holes from magically appearing in your work.

Basic Beret: Creating a Top-Down Beret, iii

A Few Thoughts

I’ve now reached round 19 of the beret, and when I do the yo increases for the pattern, I will end up with 240 stitches on the needles.  Ouch!  That seems like a lot of stitches for a beret that is only 6 inches in diameter at this point.  Will it even fit on the 16″ circulars?  Each cable repeat, from MCCO to MCCO is a smidgen more than 3/4 inch.  All these are being considered as I begin the next round of patterns with their increases.

A specific design element I am thinking about is that the beginnings of new cables may be best started with an MCCO – it creates a visual beginning for the pattern.  I wouldn’t do it at the base of the tab because I don’t think it would look good.  Maybe it would . . . I could try it out!

Another thing which has cropped up is that there are holes where I have done purl increases.  PFB is not really tidy, and the picking up the bar between stitches to make an increase seems to leave the holes.  I decided from about row 15 to try using the stitch directly below the next stitch to create the purlwise increase, and it seems to be working.  Until the beret is off the needles and blocked, I doubt I can really assess the pluses or minuses of any of these increase methods.  So far, though, the purlwise increase through the stitch below the next looks the best.

Beret at Rnd 19 - 192 Stitches

Decision Time

Do I keep on increasing as I have been?  One of my favorite berets is about 10 inches in diameter before it begins decreasing toward the brim, and has a 36 inch circumference at its widest.  If each mock cable is about .75 inches, to make a 5 inch radius would need 6 2/3 repeats – really, 7 cables.  If I do the math, the number of stitches is astronomical.

Some increases need to be done, otherwise a tube shape will begin to develop.  Maybe I increased to rapidly – the only way to judge would be to remove all the stitches onto a line.

Hmmm . . . .

I’m going to do one more cable repeat, and take it from there.  And look for a 24 inch circular needle as well!

Basic Beret: Creating a Top-Down Beret, ii

Is the yarn the right yarn for this design??

I chose the Full of Sheep yarn because I was curious as to how it would knit up with textured stitches.  It is a soft yarn, much like Lopi Light, but perhaps less scratchy.  It may not give very good stitch definition because of the fact it is not plied, but really is more a rather dense finger roving.

Getting the Pattern Set Up

I started this beret a couple of times, and was not at all pleased with how I was progressing.  I wanted to have 6 pattern repeats at the beginning, and then expand the hat by adding them between.  It did not work out right in my head at all – certainly not in the way I was knitting it up.  I thought about it on the way home from work, and realized I wanted to have 24 stitches for the pattern set up, with a base of k2, p2 to start.

At home, I drew out the k2, p2 to total 6 repeats.  From here, I worked backward to my 4 stitches at the bottom of the tab.  This picture shows you my sketch.  The 24 stitches eventually became Rnd. 3 in the table below.

Sketch for Foundation Development

Abbreviations Used

k = knit

kfb = knit front and back of stitch

p = purl

m1 purlwise = make one purlwise by slipping the left needle into the strand between the stitches, then purl through the back loop of the strand.

pfb = purl through the front of the stitch, then purl through the back of the stitch

yo = yarn over

Make 1 Purlwise

This video is a very nice demonstration of this purl increase.

Begin Body

Row 1:  Using the doubled stitches of the I-Cord, kfb, k, kfb, k  (6 sts)

Divide sts onto 3 dpns, pm.  On Rnd 1, be sure to move some of the stitches onto needle with marker.

Rnd 1: *K1, m1 purlwise * to end 12 sts
Rnd 2: *kfb, p1* to end 18 sts
Rnd 3: *k2, pfb* to end 24 sts
Rnd 4: *k1, yo, k1, p2* to end 30 sts
Rnd 5: *k3, p1, pfb* to end 36 sts
Rnd 6: *k3, p, pfb, p* to end 42 sts
Rnd 7: *MCCO, m1 purlwise, p4, m1 purlwise* to end 48 sts
Rnd 8: *k2, p2, m1 pw, k2, m1 pw, p2* to end 60 sts
Rnd 9: *k1, yo, k1, p3* to end 72 sts
Rnd 10: *k3, p3* to end 72 sts
Rnd 11: *k3, p1, pfb, p1* to end

Note: I experimented with* m1 purlwise, p3* versus *p1, pfb, p1.*  I decided that the p1, pfb, p1 looked better in the long run.

84 sts
Rnd 12: *MCCO, m1 purlwise, p1, k2, p1, m1 purlwise* to end

Note: Here I decided that maybe two rows of k2 would look better before beginning the k1, yo, k1, as was done in Rnd 4.

96 sts
Rnd 13:

Note:  This is where round repeats begin.

*k2, p2* to end 96 sts

And here is how the pattern looks so far, stretched out onto the dpns.

Beret Knit to Rnd 12

The next needle will now be knit with the circular, and I will use the following pattern, which I think will become the basis for the rest of the beret until I begin to decrease for the brim.

Rnd 13: *k2, p2* to end (Note:  Check for the MCCOs on this row) 96 sts
Rnd 14: *k1,  yo, k1, p2 to end 108 sts ?
Rnd 15: *k3, m1 purlwise, p2, m1 purlwise* to end ?
Rnd 16 *k3, p4* to end ?
Rnd 17:

*MCCO, m1 purlwise, p1, k2, p1, m1 purlwise* to end ?

Some Thoughts

The yarn is stretched out, so the pattern is taut on the needles.  Does not look great now, but may when relaxed.  I’ll look at it on the circulars later on.

When constructing the first few rounds, it is easier to create a purl stitch by doing a pfb rather than trying to m1 purlwise.  However, once it becomes easier, it should be done; equally important is remembering to purl through the back loop, as done in the video, as the stitch is much nicer.

Basic Beret: Creating a Top-Down Beret, i

A lot of people have downloaded the pattern for the Basic Beret, both here and on Ravelry. Not a lot of people seem to have made it, though. There has also been some criticism about the pattern itself, especially about the decreasing toward the top. There may be some validity to it, and it could also be the skill level of the individual using it. Given that, if you do decide to try this one, be warned that all I am providing is an insight into my own design process, and what I do. That said, let’s begin!

What do you want your beret to look like?

For my purposes here, I want a small pattern that can show how the beret expands outward.  I want a knitting pattern or stitch that is easy to memorize and small enough to illustrate my points in design.  I figured a pattern of 2 to 4 stitches would be good, and no more than 5 rows in length.

My idea is that, since I will be working from the center outward, I don’t want all the pattern stitches radiating out all at once, but incrementally.  I plan on 6 initial patterns of the stitch, increasing between the pattern stitches in purl, and then adding the knit stitches, which are the foundation of the mock cable rib.  As the pattern itself is 5 rows, the idea is to add a new pattern line every 5-10 rows to keep each pattern repeat parallel.

Preliminary Sketches of Top-Down Beret

My favorite on-line place to go is Knitting Fool, which is a repository of oodles of patterns.  I chose an eyelet rib or cable pattern that most of us have seen – 2 stitches, a yarn over in the middle, knit a few rows, and decrease by pulling a stitch over a couple to create the cable effect.  Here is my circular version, using Knit Visualizer, of the pattern.  I created the MCCO stitch using the stitch editor in Visualizer.

I may decide to move the purl stitches to the right end of the pattern.

Gauge

As I am familiar with my own way of knitting, and about how many stitches per inch I usually get with a given yarn, I tend to skip this step.   However, if you do not know, or you like to swatch, make yourself a swatch knit in the round, and measure from there.  Gauge of flat knitting and circular knitting can vary.  Some good links for getting your gauge may be found here and here, and in the videos below.

Center Beginning

The first decision is to have a flat center, or a little tab, such as found on the classic wool beret, growing out of the center.  If you want a tab, this is how to do it.

Tab Beginning

This is done using I-Cord.  Using double point needles (dpns), cast on three stitches, leaving a tail of 4-5 inches in length.  I-Cord is done by knitting the three stitches, sliding them to the other end of the needle, and repeating.  This video is very nice in illustrating how to make an I-Cord.

While you are knitting, include that long tail left over from beginning.  This means you are doubling up your yarn and knitting the tail into the stitches.  This keeps the problem of the tab’s tail having to be woven in later on.   It also makes a fatter tab, so you may wish to use only two stitches for your I-Cord tab.  Whatever you do, knit all the stitches for each row of I-Cord, do not slip the first or last stitch if this is something you do with regular knitting.

I decided to do a 3-stitch I-Cord for the tab.  Here is my picture of the long-tail cast on, with a tail of about 6 inches.

Long Tail for I-Cord

Well, I knitted up a 3-stitch I-Cord.  Too fat!  Ripped it out, and produced a 2-stitch I-Cord.  Here is the tab, knitting the tail in as I created the I-Cord.  And, as you see, there are now 4 stitches, which can be used as the foundation for the beginning of the beret.  There is also nothing to weave in along the I-Cord itself.

2-Stitch I-Cord, with Long Tail Knitted Into Work

Now that you have all sorts of information, here we go . . .and to quote Elizabeth Zimmermann,

Pithy Directions (so far)

Yarn:  Full of Sheep, in cream

Gauge (from yarn wrapper):  4 st. per inch, 5 rows per inch

Needle Size (from wrapper): US 10.5

I am using size 8 needles because I knit loosely.

Directions: You can knit this beret with the traditional center tab, or flat.  Up to you.  I am using a tab for mine.

Begin Tab.  Using a long-tail method of cast-on, cast on 2 stitches with about an 8-10 inch tail.  Make the I-Cord (see above video or written directions) knitting with the long tail and the skein yarn doubled together.  Knit 5 rows of I-Cord.  At the end, there will be a total of 4 stitches available from the doubled yarn of the I-Cord.

No Tab: Cast on 4 stitches.  Knit one row.  Divide evenly over 3-4 needles.  Mark beginning of round.