Fish Man Gets His Chicken: The Movie

An International Cast!

Starring: M. Henri Le Poisson
Co-Starring: Sir R. Chicken

World class actors bring their finest to the action-packed, true-to-life, thrill-filled Fish Man Gets His Chicken – filmed in the deepest wilds of South America!

A Thrilling Tale of Adventure, Love, and Redemption!

A scientific expedition traveling up the Amazon River to recover fossils is watched and attacked by Fish Man, a horrible creature, half man, half fish, who lives there.

Through acts of kindness, Fish Man is rescued from his slimy and fetid existence. Civilized, and with a doctoral degree from a famous university, his life is changed.

He learns the arts of brewing and barbecuing.

Fish Man Gets His Chicken
Fish Man Gets His Chicken
Fish Man Becomes Civilized
Fish Man Becomes Civilized

Fin Mail Photo of M. Henri Le Poisson

For $5.00 and a box top, you may receive this lovely secular holiday greeting card to send to your friends and family.

With love to you from me - your friend, Henri

Get one for everybody on your holiday list!

Fish Hat [Dead or Alive?] Eyes

When this hat came out in Knitty, I just knew I had to make it.

The eyes in the pattern are made of felt and stitched in place. I decided to knit mine up, and did so as below, using needles a size or two smaller.

Cast on 4 stitches. Knit front and back of each stitch – 8 stitches. Transfer to double point needles, place marker at round beginning.

Rnd 1: Knit

Rnd 2: Knit front and back each stitch – 16 stitches.

Rnd 3: Knit

Rnd 4: *Knit front and back, knit 1,* repeat to end – 24 stitches

Rnd 5: Knit

Rnd 6: *Knit front and back, knit 2,* repeat to end – 32 stitches

Rnd 7: Knit

Rnd 8: *Knit front and back, knit 3,* repeat to end – 40 stitches

Rnd 9 and 10: Knit

Bind off.

The Eye of the Fish

Coline – by Lucy Sweetland

A few weeks ago I mentioned I’d won a free pattern..  Lucy Sweetland of A Black Pepper decided, very generously, to share a copy of her hat Coline with a few lucky people.  I was one!  And I just fell in love with this hat.

Altogether, I have made three Colines in the past few weeks.  Two were out of worsted weight yarn, tweedy red and blue Wool Ease.  These are destined for the wool-sensitive, gotta-throw-everything-into-the-washing-machine family members. The red Coline was a bright, cardinal red, and impossible to photograph. The blue one was not easy to photograph, either, but I am not especially good at photography! Nonetheless, these hats do show you the beauty of the detail and design which make Coline so lovely.



The third Coline I made out of some hand spun yarn I made years ago out of grey and cream Shetland, mohair, and mylar I carded together. The Wool Ease hats were easy to knit up, but the hand spun yarn was slick and kept sliding off the needles. I am keeping the hand spun hat for myself, though, as it really is my favorite.



If you are looking for a beanie or close-fitting hat, Coline is perfect. And if you want to see very nice photographs of Coline, be sure to head over to Lucy’s website – not only is she a great designer, she also is an amazing photographer. And now, Coline comes in other flavors – mitts and a neckwarmer as well.

Thockies, i

Recently, I bought some lovely vegetable dyed Finn sheep yarn from Leena Riihelä in Finland; her company is Riihivilla.  She blogs and writes in both Finnish and English. Her service, communication, packaging, colors and yarns are fabulous! She also designs mittens and other items, and sells complete kits with enough yarn to complete the project.

I chose her purple colorway, dyed with cochineal and Japanese indigo, which consists of three skeins in three colors.  Two of the colors are solid, a rather deep wine rather than violet, and they are different in shade so that when knitted, there will be definite color contrasts.  The third skein is multicolor, and ranges in violets to the reds of the solid skeins.  Together, the three are very attractive and coordinate well.  My plan for them is to make socks, but I want something that will help set the colors up to be seen and appreciated.  Because these colors are so beautiful and the yarn is so nice, they definitely need something special to show them off!

My first inclination was to pull out some white sock yarn close to the Finn in weight, but the white was a very bright white, and rather harsh a contrast as far as I was concerned.  I thought maybe black, but that was too grim.  Other considerations were a warm cream color or a heathery grey, such as found in natural sheep wool colors.  As I’ve been spinning for years, I rummaged through my handspun stash, singles and plied, and came across a large ball of 2-ply in a light grey.

The ball I’d wound the yarn into was falling apart, so I decided to rewind it into new, tidy balls.  This is when I realized that the yarn as it was would not work.  For a while, I was into making very fine, very softly spun yarn, to ply together with the goal of cobweb or lace weight yarn, and this yarn is representative of that time period.  Rewinding it into new balls brought out the fact the yarn was weak – the spin too soft – and it would break apart – really, just slide apart – as I was rewinding it.

Given the time it takes to spin up yarn, I decided to recycle it by plying it into a 4-ply with a tighter twist, and a lot of knots.  I can always weave in ends where I untie the knots.  The result is a very twisty, fine 4-ply which is about the same width as the Finn.  As I write this, the final skein (185 yds) is soaking in warm water with hair rinse before it is hung to dry and set the new twist.

Meantime, as the grey yarn dries, I plan to design a sock which will show off each of the three colors in a stripey way, with a pattern of some variety in there using the grey yarn.

John Marshall: Works in Fabric, ii

My first contact with John Marshall came about when I discovered his book Make Your Own Japanese Clothes.

For anyone interested in traditional Japanese fabrics and clothing, this book is an incredible resource of information.  You learn how to construct Japanese clothing using traditional fabrics (which measure 13-14 inches wide), and how to sew them using traditional hand-sewing techniques.  Of course, you can also sew them by machine, but that just isn’t the same!

Garment construction is given for kimono, haori, hanten, various tops, vests, pants, obi, and tabi.  Not only do you learn how to make these, you also learn about the construction of sleeves, hems, collars, and the use of lining and padding.  All of these, combined with illustrations and photographs, give window to both traditional clothing, and a window into creating your own clothing with a modern cast.

I made the hanten, hand-stitched using traditional kasuri, and totally enjoyed the process.