Disruptions and Adaptations

My brother moved in with us about a month ago.  The reasons why are unimportant here, but what is important is finding ways to adapt to the disruptions in the daily life of Josh and me.  Our privacy is definitely less, and while my brother makes a very small footprint, there is still the fact of another person living in our house.  This means doors normally opened all the time are now closed.  Conversations are carried on more discreetly if necessary.  My studio now has someone sleeping in it, so reading the news online at 5:30 a.m. is out of the question unless I boot up the antique notebook.  Josh telecommutes, so this means that his office cannot have someone living in it, especially if he needs to start work in the wee hours of the morning.

For me, morning hours before getting ready for work are my time.  Coffee, news.  Now, it is coffee . . . and??  Knitting, reading.  No email.  No news.  We don’t have television, but I would not want to listen to it in the first place because it would be noise. Maybe I should take a walk, but that would mean getting dressed.  Just the silence of the morning is wonderful, and in the summer, the birds and squirrels are delightful companions – except for the past several days, the morning is a thick, dripping fog!

Knitting is happening, but I haven’t gotten into painting at all for the last month.  I think I will begin to do it again – now that we are all adjusting to one another.  There just has to be a sense of comfort to paint – it takes time, introspection, thought.  Knitting can be more automatic and less contemplative.  The three of us have our moments, and it is not always easy or pleasant, but I think we are all working toward a common goal of peaceful co-existence.

Bees

The drone of bees in fields, woods, and the garden is part of summer.

The bee population is in decline.  Killer bees are breeding with honey bees.  Bees are valuable insects in so many ways, and without them, what will happen to our plant populations of flowers or fruit or crops?  Bees are in dire need of our help – as are bats – and maybe we have found something that may be a clue?

This article from CNN is quite interesting:

London, England (CNN) — A new study has suggested that cell phone radiation may be contributing to declines in bee populations in some areas of the world.

Bee populations dropped 17 percent in the UK last year, according to the British Bee Association, and nearly 30 percent in the United States says the U.S. Department of Agriculture.

Parasitic mites called varroa, agricultural pesticides and the effects of climate change have all been implicated in what has been dubbed “colony collapse disorder” (CCD).

But researchers in India believe cell phones could also be to blame for some of the losses.

In a study at Panjab University in Chandigarh, northern India, researchers fitted cell phones to a hive and powered them up for two fifteen-minute periods each day.

After three months, they found the bees stopped producing honey, egg production by the queen bee halved, and the size of the hive dramatically reduced.

It’s not just the honey that will be lost if populations plummet further. Bees are estimated to pollinate 90 commercial crops worldwide. Their economic value in the UK is estimated to be $290 million per year and around $12 billion in the U.S.

Andrew Goldsworthy, a biologist from the UK’s Imperial College, London, has studied the biological effects of electromagnetic fields. He thinks it’s possible bees could be affected by cell phone radiation.

The reason, Goldsworthy says, could hinge on a pigment in bees called cryptochrome.

“Animals, including insects, use cryptochrome for navigation,” Goldsworthy told CNN.

“They use it to sense the direction of the earth’s magnetic field and their ability to do this is compromised by radiation from [cell] phones and their base stations. So basically bees do not find their way back to the hive.”

Goldsworthy has written to the UK communications regulator OFCOM suggesting a change of phone frequencies would stop the bees being confused.

“It’s possible to modify the signal coming from the [cell] phones and the base station in such a way that it doesn’t produce the frequencies that disturb the cryptochrome molecules,” Goldsworthy said.

“So they could do this without the signal losing its ability to transmit information.”

But the UK’s Mobile Operators Association — which represents the UK’s five mobile network operators — told CNN: “Research scientists have already considered possible factors involved in CCD and have identified the areas for research into the causes of CCD which do not include exposure to radio waves.”

Norman Carreck, Scientific director of the International Bee research Association at the UK’s University of Sussex says it’s still not clear how much radio waves affect bees.

“We know they are sensitive to magnetic fields. What we don’t know is what use they actually make of them. And no one has yet demonstrated that honey bees use the earth’s magnetic field when navigating,” Carreck said.

In celebration of the bee, Valerie Littlewood has recently had an exhibit in London; she writes about bees extensively at Pencil and Leaf.  Her work is beautiful and detailed; her writing quite fascinating.  She has numerous bee-related links, as well as incredible illustrations.

A world without bees?  Hard to imagine.

A Fleeting Moment

Happiness is not something that I feel often, not the kind of deep happiness that settles over one and brings a sense of profound contentment and well-being.  For the past hour or so I have been intensely aware of this.  It started to descend, for all silly reasons, toward the end of my rebuilding my computer – knowing that a job is near the end.  From this, extrapolations into just the pleasures of doing, seeing, living.  Right now, my life is incredibly simple.  I have a week off, and the weather is gorgeous – warm and sunny with a gentle breeze moving through the hills.  Birds are singing.  Josh’s birthday is Friday, and there are nectarines ripening on the countertop for his birthday pie.  I’m listening to a novel that is entertaining and frightening because of the historical period in which it occurs, the main character is interesting.  I’m finishing up a second baby sweater for a friend expecting twin grandsons in a few days or weeks.  In my little corner of the world there is peace.

Sword & Brush

As an essentially Irish setter in personality, I cannot seem to settle on one thing or another with any sense of devotion. I’m always off, following another scent. Already, having cleaned up my UFO pile, I have another pile beginning – socks, husband sweater, baby sweaters, hat ideas. Then the desire for a paint brush takes over, and everything gets set aside. Right now, I have a brother living with me who has taken over the studio a bit, so my life is skewing into other directions as a result. My spinning wheel has come out, and some fleece and silk to keep it company. I also keep looking at the different WordPress blog themes, and try them on, like shoes. Some fit, some don’t.

So what does the video above have to do with internal / external chaos? It is quite simple: an appreciation for focus. Problem is, mine keeps shifting . . .

Haniwa Horse Debuts at LACMA

Haniwa Horse at LACMA

It certainly is easy to see the attraction for this lovely statue.  This is a haniwa, and the newest addition to the Japanese collection at the Los Angeles County Museum of Art.  The article below is from today’s online edition of the Los Angeles Times.

Haniwa Horse could become ‘a new icon’ of LACMA’s Japanese art collection

June 16, 2010 | 12:46 pm
Robert Singer can still remember how he felt when he first laid eyes on the Haniwa Horse in a Kyoto gallery two years ago.”The size. The elegance. I had never seen anything like it,” says Singer, the curator of Japanese art at the Los Angeles County Museum of Art. “It was a no-brainer. I told them, ‘Ship him over and we’ll fund-raise for him.'”True to his word, Singer and the museum secured the necessary financing. On Thursday, the 6th century terra cotta horse will make its public debut at LACMA, where it is expected to become a signature piece of the Japanese art collection.

Haniwa — which means “circle of clay” — are hollow, unglazed sculptures that adorned the surfaces of the mounded tombs of the rich and powerful in 4th through 7th century Japan. Most are shaped like cylinders or in the form of houses, people, animals and military, ceremonial and household objects.

Singer has seen a number of haniwa horses, notably one on display at Tokyo National Museum, the country’s oldest and largest museum. None, he says, is as big as LACMA’s new acquisition, which is 4 feet tall and 4 feet long. (The Tokyo figure is less than 3 feet high.)

No one seems to know why this horse is larger than the others, says Singer as he stands next to the clay creature in the Pavilion for Japanese Art. “But everyone who sees it reacts to its size — and its charisma. Look at this face. He just draws you in.”

Singer notes that about 70% of the sculpture is original. “You won’t find any haniwa that isn’t restored. This one is in unusually good condition.”The Haniwa Horse, as LACMA has named the figure, was excavated in 1955 from a rural area north of Tokyo. It passed from the land’s owner to his son and ended up in the Kyoto gallery.Singer was on a scouting trip to Japan when the gallery owner approached him about coming to view the horse. “Our museum is known to be an active collector,” says Singer, “so we were given an opportunity to see this piece ahead of others.”He elected not to present the sculpture at the 2009 Collectors Committee Weekend, the annual event at which arts patrons pay dues to help create a kitty for acquisitions and then vote on purchases after hearing pitches from curators.

“I decided to save the meeting for pieces that might need a little more help in attracting support,” says Singer, whose 18-of-19 pitch success rate has prompted museum director Michael Govan to dub him “the Ty Cobb of Collectors Committee.”

Instead, Singer introduced the horse at a trustees’ acquisition committee meeting and the museum soon had enough donor commitments to make the purchase. LACMA declines to reveal the price but says the sale was completed in February.

The Haniwa Horse will stand on a lighted platform in the pavilion, next to the museum’s other haniwa piece — a seated nobleman.

“At the trustees meeting Michael Govan said this horse would become a new icon of the collection,” says Singer. “We think everyone will identify with him.”

— Karen Wada

Photo: Haniwa Horse, from about the 6th century. Credit: Copyright 2010 Museum Associates / LACMA