Needless to say, these are not pears I would want to eat!
Today I used some 5×7 HP Strathmore 500 paper for the first time. The texture is very smooth. It makes it a bit of a challenge to paint with gouache as there is very little tooth compared with CP / Not paper.
More to come.
I was in the passenger side of the car, in the back seat. The land was barren and dry, filled with rugged rocks and sparse vegetation – beautiful and lonely.
I like to have my digital camera (here, X100V) set to a fast exposure and point and shoot, shoot, shoot, shoot out the car window. It is always surprising what you get and rather fun, too.
Well . . . I got tired of pen, ink, watercolor. Watercolor just wasn’t in my head, so I dug out my gouache paints. They were rather fuzzy from mold – typical of gouache if you don’t use them often enough – so, I rinsed them off, and went to work. I really like the photo I took of these trees but did not like my earlier efforts.
I started out so klutzy – like, how do I use my colors? order or painting? All the usual stuff that goes with not doing something for awhile. The result is far better than I thought it would be!
Another sketch from a photo I took, this one snapped out of the rear car window! Having a camera can get some great stuff when you don’t have time to stop every 5 minutes.
This was my initial sketch, done with a quill cut with a finer nib as well as done with more attention to detail. After the sketch dried for a few hours, I laid in the watercolor. Some ink was still damp even after a couple of hours drying outdoors and blotting. Below is the original photo.
I am rather enjoying sketching as part of my morning routine. Today’s sketch is still in Independence, California. There is a trail that connects the native plant garden to a small park, Dehy Park, and I think I took this picture along the pathway. I found the repeated curved rhythm of the trees to be utterly charming – I expect the wind has a lot to do with the way the trees are bent.
Anyway, I decided to not use my Micron pens, as I have for the past three days, but to use a quill I cut myself from a turkey or goose feather and my homemade iron gall ink. First, I sketched the grove.
Then, I let the ink dry – or thought I did! – before adding the watercolor. Areas of ink were still wet. One of the drawbacks of iron gall ink is that it does take a bit of time to dry. The wet ink messed up some of the paints by blending in with the colors, muddying them.
Once I noticed that I decided to use dots and such with the watercolor, especially for the foliage toward the top of the trees. I dabbed the paint on, in between the black, inky branches.
I mixed colors with a water brush, stronger than the paler colors I have been using, and just applied them. The effect wasn’t too bad. In between the leaves I used blue, again, tapping the paint in, avoiding the dark of the ink.
After the paint dried, I went through a second time with the iron gall ink, both with the quill and then a defunct water brush. I think it helped out, but overall, the sketch is still quite messy, and certainly not what I intended. What I do like is the sense of dappled sunlight in the leafy canopy.
Takeaway points: First, the ink needs to dry before applying the watercolor paint. My quill has a wider tip on it than your standard dip pen, and thus makes bold lines. However, a bit more care could create a better combination of lines, and perhaps render the sketch more interesting. Adding brushwork and stronger lines after the first ink and paint applications helped to strengthen some areas. After I did that, I went about the morning chores while the sketchbook dried outdoors in the morning sun. I had to wait an hour at least – and then, the scan of the final sketch!
Ink, Yarn & Beer 