From Below

What is it about old German folding cameras? I have a number of them and, while they can feel clunky compared to point-and-shoot cameras, or DSLRs (or mirrorless), there is something just so wonderful about using a film camera.

This is a cropped 6×9 image from my Zeiss Ikon Ercona, ca. 1950 and serviced by Jurgen Kreckel. His cameras are well worth their costs, high or low.

I have problems figuring out how to go up or down with a camera-top viewfinder. My brain doesn’t seem to “get it” but maybe I’ll get the other half to logically explain it to me. He’s good at that.

So, out for a walk to check out the camera – I bought it last July – and trying to become familiar with the camera, and guestimating exposures. Some good pictures resulted, and some dogs. I’m better at guessing exposure factors for 100 speed film. I used a roll of 120 Portra 400 film as my test roll.

Whenever I get film back, I am always so pleased. I really do prefer it to digital, hands down, but digital has its place, too. This Ercona was fun to use, a bit of a pain, too, but whenever you have something new in hand, or something old, there is always a bit of a trial-and-error period. This happens even if you have shot with the camera before.

A rose by any other name, and shot with any camera, is pretty sweet – even better when you like your photo!

Keep Dreaming

Another “fantasy” (hence “Keep Dreaming”) painting. Another mixture of gouache – white and black only – and watercolors. As before, 16×20 CP 140# Arches paper.

Using a mixture of watercolor and gouache, with color coming from the watercolor and opacity and darks from the gouache, there is an ease of painting which acrylics cannot touch. The reason is that acrylics dry quickly, and I don’t really seem to have a lot of success with retardants.

I guess I should try acrylics mixed with a retardant a few times more than I have and give them a chance. Experience is the best teacher. The combination of gouache with the watercolor lets me remix my colors later (gouache can be re-wet) and gives an opacity that is not possible in watercolor. I like this combination but still think I should work a bit more with the acrylics. I am also considering trying oils once more. With oils, I know it would be a way to have the colors remain wet long enough to allow reworking areas. Odorless mineral spirits add to the allure of oils.

Anyway, I am having a lot of fun with these fantasy paintings. We all have a tropical isle of some sort to which we would like to escape!

Another tribute to the dreams of the Florida Highwaymen.